An underperformed Moliere play would be tragic, indeed.
Onstage now at UNCA’s Carol Belk Theater, the all-student production of Tartuffe, or The Imposter, packs in everything a good play must: sex, betrayal, religion, humility, delusion, and demise.
As the naively optimistic Orgon, Jeffrey Williams delivers a splendid performance, aptly portraying a character who believes his buddy Tartuffe to be both loyal and misunderstood. The latter’s supposed gold heart and humility are, to Orgon, eclipsed only by his steadfast faith. So adamant is Orgon’s devotion to his friend, he tells his brother at one point he would be happy to forsake his children, his wife, and his own brother for Tartuffe’s honor. Big talk, to be sure, but Orgon winds up living up to his word only to discover Tartuffe’s unhinged and unconscionable pursuit of the former’s wife. Hilarity and disillusionment ensue.
Of course, the economy being as it is, the temptation is to plunge one’s tongue deeply into one’s cheek as one laughs at the foreclosure of property by a lying scoundrel such as Tartuffe. Indeed, the antagonist manages to swindle a kindly and affectionate fellow out of his house by show-horsing his religious piety and lying about some unerring dedication to justice. Perhaps that theme hits a little close to home (pun intended) for many folks these days, screwing the point ever further until the whole plot becomes flat-out screwball.
At any rate, the set is beautifully designed by Rob Berls, the costumes are hilariously appropriate (designed by one Carol Blanchard), and the show itself is mostly well-cast. Will Store’s Tartuffe is prone to mumbling here and there, making his soliloquies a bit difficult to bear sometimes. But he carries the scoundrel quite well, pulling him darn near to downright creepy. Overall, the company is terrifically well-cast, and they have three more performances running through this weekend.
Visit UNCA’s theater website (http://drama.unca.edu/theatre-unca) for tickets, showtimes and further information.