
Aaron LaFalce (born Asheville, NC 1983) started playing music at the age of 13. Coming from a blue collar Italian family, he didn’t own any instruments, but he would hop a bus to the local music store and spend hours practicing on the floor models with a pair of headphones whenever he could. Keeping to himself, he would listen to the accomplished players that would hang out in the store and then try to emulate what they were playing. In high school he further developed his ear by singing classical music which allowed him to perform at Carnegie Hall in NYC for the 2000 National Youth Choir. Since then, he’s honed his skills working in the studio and playing live 150-200 dates a year. On his first CD “FABULOUS”, you can hear Aaron play piano, guitar, bass, and sing. Though he enjoys performing, the craft of songwriting is his true passion. Pursuing that passion has led him to play the Bele Chere Festival in 2002/2007, be part of CMT’s Program “Big Break” and open for acts like The Original Drifters and Joshua James. As a former member of some of Asheville’s biggest party bands, Aaron has also had the chance to jam with players like Reggie McBride (bass for Stevie Wonder, Elton John, etc.) and Cliff Williams (bass for AC/DC).
Aaron LaFalce: singer-songwriter, guitar, piano, bass

“Thriving on diversity, this band performs a variety of styles including blues, rock, acoustic, folk, jazz, and more. The Accentrix is a unique female-fronted band that makes music its primary focus.”
Hollie: vocals, keys, saxophone
Paul: electric guitar
Henry: bass
Gordon: drums

“Actual Proof is an original jazz-fusion/funk quartet, drawing on jazz, funk and Afro-Cuban traditions. The group’s compositions range from the musically complex to straight-ahead nasty grooves.”
Eric Mullis : vibraphone, marimba
Silas Aldridge: keys
Phillip Berkley: bass
Scott Brower: acoustic & electric drums

The Aesthetics are a three-piece power trio, and their stated musical goal is rather simple: “To conquer Asheville and then the world.”
Jock Pyle: guitar, vocals
Jared Pyle: bass, vocals
David Partin: drums

Nu Afrobeat ensemble. Has perfromed with: Michael Franti and Spearhead (Smilefest 06, Fall LEAF 05, Black Mountain, NC), Erykah Badu (special guest appearance, World Grotto, Knoxville, June 10 2006), Kalakuta Moziak (former guitarist of Fela Kuti’s Egypt 80) , Mamadou Diabate (One World Innernational Music Celebration, Deerfields, NC, Aug 19 2006) , Ikwunga (the first Afrobeat Poet, Apache Cafe, Atlanta, Dec. 30 2005) , Cyro Baptista and Beat the Donkey (Neighborhood Theatre, Charlotte, Apr. 20 2006), Chicago Afrobeat Project (Greenville Apr. 21, 2005), Ivan Neville’s Dumpstafunk (headliner of Spring LEAF 06), Jude Osadalos (ex- Femi Kuti drummer)(Emerald Lounge, Asheville July 05), Dub is a Weapon (Neighborhood Theatre, Charlotte, NC, Aug 18 2006), Rebirth Brass Band (Tipitina’s, New Orleans, Nov 24 2006).
9-piece ensemble headed by singer / drummer Kevin Meyame.

James Carson: lead singer
Bruce Ham: guitarist, songwriter
Matt DeRamus: bass
Josiah DuBose: drums
Agrolola

Ahleuchatistas is an instrumental progressive rock band, currently signed to Cuneiform Records. The band got its start at the legendary Vincent’s Ear Cafe. They have toured the entire U.S., and have performed at jazz festivals in Europe and Canada. They have three critically acclaimed albums to their credit, and a fourth to be released in September, 2007. Their first extended tour of Europe is scheduled for October, 2007.
“What the band’s success comes down to, though, is that they’re astonishingly together even on passages where it seems impossible to stay in sync.” –Pitchfork
The group’s 2007 release, Even in the Midst, was reviewed in the Xpress CD round up “Sound Investment.”
Shane Perlowin: guitar
Sean Dail: drums
Derek Poteat: bass
On the Culture Industry, Angura Sound, 2003
The Same and The Other, Hello Sir Records, 2004
What You Will, Cuneiform Records, 2006
Even in the Midst…, Cuneiform Records, 2007)

“Ahora Si is a 5-piece Latin ensemble. Their music is focused mainly on Cuban, Puerto Rican, Caribbean and Latin Jazz with influences by such artists as Cachao, Bebo Valdes, Frank Emilio, Arsenio Rodriguez, Cal Tjader, Mongo Santamaria, among others. Ahora Si can be appreciated by listeners, dancers and Latin music aficionados alike.”
Grant Cuthbertson: bass
Juan Luis Merced: bongos, drums
Ozzie Orengo Sr.: congas
Ozzie Orengo Jr.: timbales
Jeff Knorr: piano

Akamai Drone has been described (by writer E.L.S. in Wax Words) as “a clash between electronic trip hop beats and industrial metal.”
Christian Imes: vocals
Cory Radosevic: guitar
M. Rayne: guitar, bass
Zen VS: keyboard
Joe Wagner: guitar

This five-piece experimental pop band incorporates piano, classical guitar, horns, bass and drums to provide a vehicle for Tiziana Severse’s powerful vocals. The group includes members the now-defunct Shuffleboard City All-Stars, one of the more notable experimental bands to spring from the Hendersonville area.
The band was profiled in the Mountain Xpress Listening Party in November of 2007.
Tiziana Severse: vocals, keyboards
Eddie Knighton: guitar
James Mitchell: drums
Andy Bishop: bass
Brent Baldwin: trombone, guitar

From the band: “Alien Music Club is an eclectic blend of alternative music in diverse musical genres ranging from all forms of rock to jazz to funk to anything in between with intelligent lyrics and a playful sense of humor.”
Jonathan Pearlman: guitar, bass, zendrum, percussion, keyboards
Jaron Pearlman: drums
Robin Tolleson: drums
Joel Spencer: flute
Frank Southecorvo: saxophone
Various other contributors

“The band debuted at LEAF 2008 as a part of the Ancestral Rhythms program. Their music is very sweet and jazzy, with a funky bass and soulful vocals by AlisaKuumba.”
AlisaKuumba: vocals
Kayin: electric bass
Dan Davis: drums
Enosh: percussion
Miguel: percussion
David Martin: guitar, bass, synthesizer

Claiming to be “Asheville’s only all-girl a capella group,” this UNCA-based team of vocalists is more than just a girlie gimmick. Since their debut in 2001, AGS has grown from a quartet to a troupe of 14 performing several shows each year.
Amanda Bowen: vocal
Anna Huntley: vocal
Ashley Pryer: vocal
Barbara Muffoletto: vocal
Calee Fussell: vocal
Carly Crawford: vocal
Erica Layton: vocal
Erika Walker: vocal
Francesca Garvey: vocal
Jay Fuller: vocal
Katie Combs: vocal
Laura Francis: vocal
Leanne Tyndall: vocal
Michelle Kupshik: vocal

“Amy is a young musician with an old soul. Her original combination of jazz, blues, folk and pop, along with soothing vocals and solid lyrics, takes listeners on a vivid journey.”
Amy Burritt: guitar, vocals

“The instrumentation is grounded in the gritty palette of early ‘70s rock and roll. The band takes nods from The Velvet Underground, Pink Floyd, Led Zeppelin, Clapton, Bowie and many other great artists and bands of this period. The structure and crafting of the original material is rooted in this period of maturing psychedelia but also draws from the pop sensibilities of the ‘80s and alternative attitude of the 90s. The band doesn’t fail to consider its contemporaries as well. Listed right alongside these classic influences are current bands such as The Flaming Lips, Wilco and My Morning Jacket. Analog Moon is able to take all of these influences and still deliver something fresh to the listener.”

Formerly based in Syracuse, N.Y., Andrea Lee released her first demo EP, without at lightswitch, in 2004. She is the winner of a Twin Rivers Media Festival award for songwriting, and is currently recording new works in her home studio.
Andrea Lee: singer/songwriter, guitars, keyboards
without at lightswitch, 2004

“This big band plays the greatest songs of yesterday and today with live horns and sensational vocalists. Songs from swing to Sinatra, rock to pop, disco to Brown Eyed Girl. We play it all.”
“Too many to name”

West claims inspiration from a rather diverse collection of influences — opera, Appalachian folk, country and rock ‘n’ roll — which are reflected in her eclectic compositions.
West’s CD Orange Thread in a Blue Sea was reviewed in the 2007 Xpress CD round-up “Sound Investment.”
Angi West: piano, fiddle and voice
Orange Thread in a Blue Sea (2007)

With a sound that incorporates surf rock, jazz, punk and a touch of country, the Antibodies are hard to neatly categorize.
Tom Conder: vocals
Mark Branyon: guitar
Kevin Jamison: bass
Lee Holroyd: drums

“Since their founding in 2006 the 17 piece Asheville Jazz Orchestra has become Western North Carolina’s premier big band. Their mission is twofold. First, through recreating the swing era hits of the 1930’s and 1940’s the AJO strives to rekindle an awareness of this rich and innovative jazz style. Secondly, the AJO considers it vital to help the big band tradition evolve through performing works by contemporary composers and arrangers. Whether they’re playing your favorite big band era hits at their monthly swing dance or performing a brand new composition written by a band member in a formal concert, the AJO is dedicated to both preserving and advancing the uniquely American art form of jazz.”
Jim Anthony: saxophone
Joel Helfand: saxophone
Steve Alford: saxophone
Tyson Hamrick: saxophone
Frank Southecorvo: baritone saxophone
Gary Leming: trumpet
John Entzi: trumpet
Rich Willey: trumpet
Steve Martinez: trumpet
David Wilken: trombone
Walton Davis: trombone
Alan Greene : trombone
Linda Davis: bass trombone
Jeff Knorr: piano
Grant Cuthbertson: bass
Justin Watt: drums
Chris Morgan: guitar

This local singer/songwriter performs both solo and with backing musicians (as the Ashley Chambliss Trio). Her soulful songs have made her an oft-requested performer on the regional coffeehouse and festival circuits. In 2007, her song “A Little More of You,” from the album nakedsongs, was featured on the ABC network soap opera One Life To Live.
Ashley Chambliss: singer/songwriter, keys
Chris Rosser: bass, guitar (in the Ashley Chambliss Trio)
River Guerguerian: percussion (in the Ashley Chambliss Trio)
nakedsongs, 2002
In This Ocean, 2003

“As Sick As Us is creating new-and-unique rhythms & sounds on the heavy metal scene. Like a strand of rope, we twist influences from Black Dahlia Murder, Winds of Plague, All Shall Perish, Black Sabbath, White Chapel, Blood Runs Black and Emmure into our music. This hybrid sound brings forth an eclectic mix of old, new and different.”
Zack Oskins: vocals
Jeff Bean: guitars
Jeff Meade: guitars
Brad Israel: bass
Zane Oskins: drums

“The Atkins Riot! rose out of the ashes of Asheville’s garage/punk band Electrik Manx. With the addition of Seth Lee, Atkins and Monroe take the new band in a more mellow, song based direction, reworking Manx songs and presenting new ones. The Atkins Riot! seeks to present music with strong hooks, memorable melodies and insightful lyrics.”
Cyrus Atkins: lead vocals, songwriter, guitar, bass, drums & keys
David Monroe: bass, vocals
Seth Lee: drums, vocals

From the band: “The original music of Atomic Sauce is comprised of a blend of rock, jazz, blues and alternative music. Influences run from King Crimson and Jeff Beck to John Scofield and Talking Heads.”
Rich “Doc” Hendricks: guitar, vocals
James Vandenberg: guitar, vocals
Jeff Manson: bass
Ralph Liddle: drums

“We are the ultimate local roots rock band. All of our music is original and it all has an undertone of connectivity with the new generation. We are on the up and rise.”
Matt Dawson: guitar
Julian Sikes: vocals, rhythm guitar

From the band: “Specializing in recreating the classic sounds of rock’s greatest era, the 1960s and ‘70s. ... Ideal for your dining and dancing pleasure, festivals, love-ins, barbecues or what-have-you.
Jeff Japp: guitars, harmonica, vocals
Paul Quick: lead guitar, vocals
Scott St.Dennis: bass guitar, vocals
Mike Mahaffey: drums, percussion

The Baker Family Band performs original songs written by Stuart Baker, Owen Thomas and Mike Ackley.
Elizabeth Baker: vocals, keys
Stuart Baker: vocals, guitar, drums
Owen Thomas: vocals, guitar
Nathan Ribner:: bass
David Barrett: drums
Mike Ackley: vocals, guitar

From the band: “Funk/Latin rythms with other hybrids sounds, reminiscent of the cool jazz and be-bop eras.”
Myk Baldridge: drums
Galen Bremer: guitar
Jonah Freedman: bass
James Shelton: tenor sax

The Barrel House Mamas perform an extensive repetoir of original songs and creative arrangement of old favorites.
Jane Kramer Edens: guitar, flute, vocals
Molly Rose Reed: guitar, banjo, vocals
Eleanor Underhill: banjo, harmonica, vocals
Anna Baumann-Smith: fiddle
Sean Lallouz: upright bass
David Mack: drums
The Barrel House Mamas: Gathering

Bear Down Easy was formed by five young musicians eager to explore the realms of bluegrass and acoustic songwriting. The band members blend “sweet vocal harmonies with driving bluegrass, blues, and acoustic genres.”
Ian Mulrenin: guitar, vocals
Andy Burke: mandolin, vocals
Lucas Nelson: guitar, banjo, vocals
Paul Stroebel: fiddle, vocals
Cole Sigmon: bass, vocals

The Bee’s Knees formed in the spring of 2007 when songwriters Platt and James met at the Westville Pub. They have since become regular performers in area bars and coffee shops. The group also perform as busking musicians, and can often be found performing on the streets of downtown Asheville.
Amanda “Mikey” Platt: guitar, vocals
Peter James: lead guitar, vocals
Spencer Taylor: mandolin
Roger Dodger: drums
Ian Harrod: bass

Beloved Binge “services up a stereophonic celebration of off-kilter guitars in the vein of They Might Be Giants, The Flying Lizards etc., that accent tight, catchy little-pop songs…” - Jersey Beat (June 2008)
Eleni Binge: drums, guitar, vocals
Rob Beloved: drums, guitar, vocals

Betting for Benson won 2nd place in the Star 104.3 Battle of the Bands.
Ricky Kovacs: lead vocals, guitar
Mat Coxey: bass, vocals
Andrew Richardson: keyboards, vocals
Mat Payne: guitar, vocals
Brandon Coffey: drums
Forever Tomorrow (LP), 2006, Sketch 5 Productions
MMVII (EP), 2007, Sketch 5 Productions

Eclectic and kinetically driven at a minimum, the group describes themselves as a “freak/folk/avant/rock band.”
Be-man: guitar, vox, synth, samples
Mason: drums, vox, metal, table

“Noted for high energy and humor, Big Ivy hails from all points of the geographic and musical compass playing original, traditional and occasionally genre busting tunes, all from a unique perspective.”
Rich Inman: fiddle, guitar, bass, vocals
James Carson: guitar, dobro, harmonica, vocals
Rick Chorbajian: guitar, bass, vocals
Travis Gentry: bass, mandolin, guitar
Dave Holdredge: banjo, mandolin

The Big Ol’ Nasty Getdown is a loose collaborative group founded by members of Yo Mama’s Big Fat Booty Band and various friends they’ve encountered at festivals and shows. At various times, the jam-based group has included members of the Dirty Dozen Brass Band, P-Funk Allstars, Sci-Fi, Laura Reed & Deep Pocket, The Afromotive, Galactic, the Lee Boys and many others. The group has at least one recording project in the works.
John Heintz: bass
John-Paul Miller: guitar, percussion, bass, sitar, vocals
Derrick Johnson: trombone, guitar, percussion
George Clinton: various
Ian Neville: guitar
Greg Hollowell: sax
Alvin Lee: guitar
Roosevelt Collier: 12-string pedal steel
Terence Higgins: drums
Matt Grondin: guitar
Rob Mercurio: bass
Kendra Foster: vocals
Robert (P-Nut) Johnson: vocals
Garry “StarChild” Shider: guitar
Danny Bedrosian: keyboards, synthesizers
Belita Woods: vocals
Alvin Ford Jr.: drums
Tyler Simmons: keys
Ralph Roddenbery: vocals, guitar
ET: trumpet
Roger Lewis: baritone sax
Kevin Harris: tenor sax
Frank Mapstone: keys
Justin Hunnicutt: shekre, percussion
Laura Reed: vocals
Sidney Barnes: vocals
Rev. Desmond D’Angelo: vocals
Brandon Butler: keys
Buddah: percussion

This group performs original blues songs, with a focus on the delta blues style, and aims to to “pay tribute to the roots of blues.”
Scott Craver: harmonica
Peggy Ratusz: vocals and percussion
Duane Simpson: arch-top guitar

A Billy Jonas performance is an explosion of energy. In singalongs, bangalongs, whisperalongs, as well as improvised songs, his primary instrument is the audience. He composes music for children as well as for adult audiences.
Billy is accompanied by a full ensemble of singers and re-percussionists at larger venues.
Time Has Come, 1993 (with The Billys)
Bangin’ & Sangin’, 2000 (DVD/VHS)
Life So Far, 2000 (with The Billys)
What Kind Of Cat Are You?!, 2002
Billy Jonas Live, 2002
Everybody’s In The Band, 2004 (DVD/VHS)
Get Real, 2004

The Billy the Six may be a new band, but many of the performers have been playing together for decades in various projects. The band includes members of a number of well-known (if defunct) regional rock bands, such as Prayin’ For Rain, Rattlesnakes, RAIL, Roostertones, Crystal Zoo, Gypsy Moths and the Humbuckers. But, what do they sound like? The group sums it up perfectly: “This band plays simple rock and roll.”
Billy The Six: (aka Richie Tipton) vocals, guitar
Jim no. 9: (aka Rudy Colombo) guitar, vocals
Number X: (aka David Bradley) bass, vocals
Pappy # 27: (aka Will Bowden) drums

Bio Ritmo writes and performs songs using essential elements from the 1970s, the golden age of salsa.
Gabo Tomasini: conga
Giustino Riccio: timbale
Rei Alverez: lead vocals
Marlysse Simmons: piano
Cameron Ralston: bass
Bob Miller: trumpet
Tim Lett: trumpet
Tobias Whitaker: trombone
Piraguero (7” single), 1995, Merge Records
Que Sigs la Musica, 1996, Shamless Records
Salsa Galactica, 1997, Permanent Records
Rumba, Baby Rumba!, 1998, Mercury / Triloka Records
Bio Ritmo, 2004, Locutor Records
Salsa System (EP), 2006, independent

This experimental group that claims to be influenced by “everything that is and will be dreamed.”
The group’s music was profiled in the weekly Xpress local music blog Listening Party, which you can read here.
Amanda Rae: keys, vocals, guitar
Linn R.: guitar,keys, vocals
Neal Wilson: bass
Tony Lombardo: percussion

Whether it is national praise from Aerosmith’s Joe Perry or Billy Cardine’s performance with the three-time Grammy Winning Edgar Meyer at Carnegie Hall, the musical community respects The Biscuit Burners.
Appearances include BBC World TV’s “Destination Music”, National Public Radio’s “Mountain Stage”, and XM’s Bluegrass Junction, along with coverage in magazines such as Singer & Musician, Bluegrass Unlimited, Dirty Linen and American Songwriter.
Mary Lucey: acoustic bass
Bill Cardine: resophonic guitar
Dan Bletz: acoustic guitar
Odessa Jorgensen: fiddle
Wes Corbett: banjo
Fiery Mountain Music, 2004
A Mountain Apart, 2005

“‘bitter gemma’ spreads a positive message of social justice and cultural development. (Their) sound is best described as conscious, tribal reggae. ‘bitter gemma’ is a newly formed Asheville reggae band that recently opened up for the I Grade Family at the Grey Eagle. ‘bitter gemma’ is currently being featured on WNCW’s ‘Dubatomic Particles’ on Sunday nights from 9 p.m. to 12 a.m.”
Geoff: guitar, vocals
Mike: lead guitar
Justin: rhythm guitar
Chris: bass guitar
Ryan: drums

“These boys opened two shows for legendary rock-blues artist Johnny Winter. Yes, that’s the same Winter that performed at Woodstock back in 1969.”
Johnny Blackwell: lead vocals
Parker Hudgins: drums
Cole Laughter
Adrian Brinkley: lead guitar, vocals

“Blair Crimmins uses early New Orleans jazz, Dixieland and Ragtime sounds to deliver dramatic songs with youthful energy. With tunes that could be easily adapted to a Broadway production, they tell tales and sing melodies while showcasing multi-instrumental talent.”
Blair Crimmins: vocals, piano, guitar, ukulele, banjo
The Hookers: drums, bass, organ, accordion, sax, clarinet

An all female hard-rock band.
Crystal Akers: guitar, vocals
Tashia Shamwell: bass, vocals
April Adams: drums

Don Bodie: vocals
Dave Brown: lead & rhythm guitar
Joe Cain: percussion
Mark Sheaffer: drums
Shane Snyder: bass
Paul Songy: lead & slide guitar

Mike Westcott and his band were nominated best blues band in 2005 by the Washington Area Music Association (WAMA). Mike has won Rockville Guitar Centers crown three times.
Mike Westcott: vocals, guitar
Gene Monroe: bass
Dave Wescott: drums
Keep The Blues Alive, 2004, Independent

In their own words: “Blue Plate Special is an eclectic band that plays a wide spectrum of music; including boogie, swing, bluegrass and rockabilly.”
Phil Preston: bass
Beverly Clark: banjo, guitar, vocals
Jim Bagley: mandolin
Steve Urbach: vocals, guitar, harmonica, banjo

“My music is a mix between folk, rock, acoustic and instrumental. I started playing my first gigs about a year ago, and my music has evolved a great deal over that time. My hope is to turn my music into a full time gig. However, even if I don’t make it to that level, I will play, write and record as long as I am able. For now, I play anywhere, anytime, for anybody with open ears.”
Tyler Herring: acoustic, electric, slide-guitar, vocals, harmonica, keys, didg, stomp box

Blunt Head Trauma was voted one of the Top 20 Regional Releases for 2006 on 88.7 FM (WNCW) based on listener votes for songs such as “Tsunami” and “Coconuts and Rum.”
Tim Robinson: guitar and vocals
Larry “LP” Peterson: bass
Bobby Pearson: percussion

This five-piece bluegrass band plays a unique mix of traditional and not-so-traditional bluegrass music. If you’re into the classics, Bobby and Blue Ridge Tradition also performs a heapin’ helping of them, from Bill Monroe to the Stanley Brothers to Flatt & Scruggs. The band also performs crossover material, arranging songs from the likes of Hank Williams, Bob Dylan, Chuck Berry, The Flying Burrito Brothers, The Newgrass Revival.
Bobby Anderson: banjo
Jim Turpin: mandolin
Chuck Wagner: guitar
Pam Crowhurst: fiddle
Cas Haskell: bass

In the 1970s, Bobby G. recorded and toured worldwide with the band Frijid Pink. After a stint with his own band, Bobby G. is now a solo artist based in Canton.
Bobby Gilbert: guitar, vocals, sequencer

Singer/songwriter Burnette describes his music as being in the vein of “Ryan Adams, Wilco, Jeff Buckley, Sunny Day Real Estate and Smashing Pumpkins.” And he’s not far off, as his songs incorporate soulful singing, lush indie overtones and an Americana feel.
Bob Burnette: vocals, guitar and bass
Josh (Marty) Martier: percussion (on recordings)
The Stars In June (2007)

Formerly based in Charlotte, Child is a flutist specializing in Native American tradition. He is also a specialty flute maker.
Bob Child: flute

“An astronomical body full of classical beauty, hypnotic lyricism and staggering musicality. Bodies’ music is the unrivaled embodiment of warmth, fortune, seduction and nature. Bodies began as an acoustic-folk band, but when they discovered the temptations of electricity, took their newly found folk-rock sound on the road for the world to witness.”
Corey Webb: guitar, banjo, voice
Kristin Abbott: bass, voice
Alex Hennessey: keys
Brett Nash: drums

Bonypony’s album Feeling It was named #1 album on XM Cross Country for January 2007.
Scott Johnson: vocals, guitar, harmonica, percussion, bass pedals, drums
Nicolas Nguyen: guitar, banjo, mandolin, dobro, violin, viola, bass pedals, vocals
Kenny Wright: drums and percussion, guitar, mandolin, mndola, dulcimer, stomp board, vocals
Stomp Revival, 1995, Capitol Records
Traveler’s Companion, 1999, SuperDuper Recordings
Funhouse (Live), 2000
Rare Cuts Volume 1, 2002
Jubilee, 2003, SuperDuper Recordings
Feelin’ It, 2006, SuperDuper Recordings
Celebration Highway, 2007, SuperDuper Recordings

“Bookworm reads like a hit-the-ground-running kind of story. Fledgling producer Isaac LeFever started developing his sound in September of 2008 and quickly found himself playing shows, parties and even a renegade set at the Loki Festival with the Tennessee band Two Fresh. Bookworm is a musician to keep an eye on.”
Isaac LeFever : Akai MPD 32/Laptop

Although many bands are weary of the “retro” tag, Born Broke proudly proclaims themselves to be a “blast from the past.” The group began as a “straight ahead rock band,” but has since incorporated the sounds of ‘70s country rock, bluegrass and blues into their sound.
Jeff: guitar
Adam: bass
Spencer: drums
Nate: guitar

“Bote collects the best of Celtic world-folk songs, utilizing eclectic musical backgrounds and instrumentation to bring popular tunes from history into the limelight of today. They constantly are researching folk tunes and writing new ones, focusing on evolving their sound every time they play. Bote sets sail for the spring of 2009 with heavy winds behind them, hoping to break into the Southeast and become the force of nature that it wants to be.”
Tim: frontman, bodhran, pennywhistle, harmonica, concertina
Eric: guitar, mandolin
Brandon: guitar
Dwayne: bass, guitar, mandolin
Vincent : drums, world percussion

“Both is one of the two loudest folk bands in the world.”
Scott Rexer: guitar, vocals
Jason Kolman: vocals, mandolin
David Penny: bass
Craig Newton: drum, vocals

Braidstream has been a featured performer in the internationally released “Christmas at the Biltmore Estate” filmed for HGTV and A&E channels. They have received rave reviews and standing ovations for their concerts at Deepak Chopra’s Seminar series. They have performed at venues ranging from public elementary and high schools to the Diana Wortham Theater in Asheville; they have performed several times in concert with the Asheville Symphony, at many tri-state colleges and universities, at festivals and First Nights, and in many concert series performances as members of the North and South Carolina Touring Artists Roster.
Rita Hayes: flute, vocals, hammered dulcimer
Paul Ghost Horse: cello
Patrick Boland: piano, keyboards
Jeff Johnson: guitar, sitar
David Cohen: percussion
Lord of the Moon, 1987
Braidstream, 1994
Biltmore Estate Christmas Volume I (Various artists), 1999
On The Wing, 2000
Biltmore Estate Christmas Volume II (Various artists), 2003

“Brandon Lowery first hit the scene drumming for the 200 local hit Minivoid. He writes pop, rock and alt-country that anyone can sing to. He was formerly a member of By Morning.”
Brandon Lowery

Brian McGee & The Hollow Speed plays a hybrid of country, rock and punk, which, in their own words, “satisf[ies] both genres, but that [doesn’t] sell out to either one.”
Brian McGee: vocals, guitar
Darin Gentry: fiddle
Chad Hildebran: drums

An acoustic folk duo, BrieJon consists of sisters Jonna and Brie Capone who claim that they’ve “always rocked out together in the privacy of our own home.”
Brie Capone: guitar, vocals
Jonna Capone: vocals

“Brittany Reilly has played more than 200 shows nationwide with several line-ups. In her evolved project with the Almost Acoustic Band, she recorded her debut solo CD “Good Old Country Sound” released March 1, 2008.”
Brittany Reilly: mandolin, vocals
Brent Hopper: guitar, vocals
Billy Gilmore: banjo, mandolin, fiddle, vocals

“The Brooke Clover Band plays alternative Americana, folk, rock and story tunes. The band is currently working on their second CD.”
Brooke Clover: vocals, guitar
Sarah Carlyle: upright bass
Karin Lyle: violin, banjo, harp
Mica: drums

The Broomstars are coming for you! From their Asheville, North Carolina beginnings to their new CD release, the Broomstars have blazed forth and are zooming ahead.
Broomstars, how Chinese Dynasties once referred to comets, are few and far between. Voted as one of the best undiscovered bands in Asheville’s Mountain Xpress, this comet plans to circulate around for a while.
Jason’s lyrics and spirit lift one to new heights. Jason Daniello, on lead vocals and guitar, has been in orbit for some time. His former project, Jason and the Argonauts, enjoyed success in the Southwest and from coast to coast.
On bass, Jared White juxtaposes the various musical genres from which the Broomstars draw inspiration, creating a solar system of vibration. On drums, Clayton Jones lends the fire, fueling the heavenly body of the Broomstars. Liz LeBleu, married to Jason, chimes in with vocals that mirror her man’s as she creates new avenues through the stars with her synth sounds. Jeff Santiago, who recently joined the enterprise, skyrockets out, lending guitar and vocal power.
The Broomstars’ new recording, The Silvermine Sessions, transports you through atmospheres of space and sound. In particular, the track “My Heart Trembles” is heavily saturated with lush, sonic landscapes using all analog gear. Bass lines pulsate, ring-modulated guitars delicately swoon, and the synth’s bombastic, yet sometimes subtle melodies emerge. Good “old-fashioned” knob twisting provides swirling textures at the end of the song. The result is a remarkably vivid rock sound, rampant with the band’s trademark inventiveness. This indie rock synth pop experience will leave you bathed in moon dust. Get lost in space with the Broomstars.
Jason Daniello: Vocals, Guitars, Moog effects
Jared White: Bass
Liz LeBleu: Moog synth, Vocals
Clayton Jones: Drums
Jeff Santiago: Guitars, Vocals

From the band: “Hobo Junk Rawk its what we call it—bluegrass instrumentation that lends itself to punk, rock, ragtime, gypsy, irish and reggae.”
James butler: mandolin, guitar, banjo, whistle, fiddle
Bryan Smith: guitar
Jason Burke: drums
Steve Tarabokia: electric bass
Jeff Micchelli: banjo, trumpet, guitar, dulcimer
Sterile Darryl: harps, rub board

“Three musicians from varied backgrounds with no musical limits makes up Brother Fatback. They perform originals and tunes from the acoustic catalogue of blues, folk, old country, mountain music, movies tunes, French T.V. and more.”
Tom Ring: guitar, vocals
Danny Tetrault: mandolin, vocals
Phil Edgerton: bass, vocals

“Style: Very energetic, southern rock ‘n’ roll, country and dance. History: We played together in the late eighties, have reunited, and are having a blast.”
Nicky West: bass, vocals
Gene West: guitar, vocals
Kermit Tolley: drums
Craig St. John: guitar, vocals

Brushfire Stankgrass is known for their high energy live performances showcasing heady bluegrass, jazz and rock-influenced sounds.
Will Saylor: guitar, vocals
Ben Saylor banjo, vocals
Ian Cunningham: drums
Bryan White: bass

“Bubonik Funk is a ticking time bomb of musical excellence. The band has been playing the Charlotte underground [music scene] for over four years, growing and expanding their style and skill. Every B-Funk show offers something wild: groove-oriented improvisational jams, drum and bass freestyle over raps, chants and God-only-knows what else.”
Dylan Ellett: vocals, keys
Nick McOwen: bass guitar
Daniel Allsion: drums, vocals
Stefan Kallander: guitar, vocals

This Asheville, NC trio has been inspiring listeners and dancers throughout the region. But don’t let their name and honky-tonking, foot-stomping vibe fool you, sultry harmonies and lilting instrumentation characterize The Buckerettes’ sound, infused with the strong traditionalism of the Blue Ridge Mountains, they call home.
Robin Cape: bass and vocals
Deb Criss: guitar and vocals
Roberta Greenspan: fiddle and vocals
Live and Unfenced, 2004

“We are interested in several types of American music. Our latest project was having a video of our ‘Johnny Cash Celebration’ filmed in front of a very appreciative audience at The Feed & Seed in Fletcher, N.C. for submission to the RFD TV Network. In the meantime, you can catch us playing shows around town.”
Buddy Davis: guitar, vocals
John Humphries: electric & acoustic guitar, mandolin, vocals
Jeff Robbins: bass, banjo, vocals
Michael Baker: drums

“After several lineup changes following the band’s formation, Buffalo has rigorously toured the country, exploring the American-roots music scene. With influences ranging from Conway Twitty, Gram Parsons and George Jones, to classic/neo-punk and the Rolling Stones, the buzz surrounding this relatively young band echoes the rowdy Americana scene and lifestyle each of its members hold dear to their musical personalities.”
Grant Waters: lead vocals, banjo, electric guitar
Kyle Mendenhall: bass
Matt Evans: drums

Album Picker’s Paradise was voted 9th in top 50 of WNCW Bluegrass releases of 2006
Tony Reese: resonator guitar
Griff Martin: guitar, baritone, tenor, & lead vocals
Grace Van’t Hof: banjo, fiddle & backing vocals
Tom Godleski: lead vocals & bass
Sam Wharton: mandolin, Vocals
Blackwater Bottom
Picker’s Paradise, 2006

“Buster plays gritty, in-your-face blues, rock and guitar legend rock. The band features guitarist Alec Fehl, drummer Harry Lewis, bassist Bob Butcher and vocalist Jeremy Abee.”
Alec Fehl: guitar
Harry Lewis: drums
Bob Butcher: bass, vocals
Jeremy Abee: vocals

By Morning has shared the stage with a wide range of music genres: Sanctity (Roadrunner Records), The Bangkok 5 (Universal Records), The Summer Obsession (Virgin Records), Yearling (Tragic Hero Records) and many more local and regional bands.
Jebadiah Morningside: vocals
Tim McGill: guitar
Brandon Burney: guitar
Lee White: bass
Whit Walker: drums
Illustrations, 2006 (five-song E.P.)

“Caleb Caudle & The Bayonets are hell-bent on writing truly classic and fresh songs. From smokey grooves to bourbon-soaked ballads, Caleb Caudle & The Bayonets tread the waters of timeless American music.”
Caleb Caudle: vocals, guitars, harmonica
Kyle Caudle: bass, vocals
Chad Newsom: drums, vocals
Cameron Thomas: guitars, pedal steel

Whitney has been a singer-songwriter from a very young age. Developing and cultivating her sound, with songs that range from sweet melodic tunes to dark bluesy tales of people and places unknown.
Callie Whitney: guitar, piano, sweet stick and more

“Four musicians with a bloodlust for dirty-south rock ‘n’ roll. Since October 2004, The Campaign 1984 has been furiously writing new music and touring the U.S. Their roots began with DIY-punk ethics and the band has now evolved into an ear shattering musical machine. With three self-released albums, a music video and numerous self-booked national and regional tours behind them, they continue to push their hard-hitting brand of rock ‘n’ roll to die-hard fans and new listeners alike.”
Matt Anderson: guitar, vocals
Justin Biltonen: guitar
Jordan Luff: bass
Jeremy London: drums

In their own words: “The Cardinal Heart is a long-time coming, a project comprised of some moody New England imports with an ear for the Britpop, indie and New Wave scenes of days past.”
Brian Daignault: drums
Charlie Pyron: bass guitar
Dup Crosson: vocals, guitar, keys

The Caribbean Cowboys were voted “Most Popular Rock Band” in a 1995 Asheville Citizen-Times reader poll, and “Best Band in Western North Carolina” by Mountain Xpress readers, 1999 and 2000. They played Duval Street at Meeting of the Minds 1999 (Jimmy Buffett’s Fan Clubs, Parrot Heads in Paradise, National Convention) in Key West, Florida. They are the “official” band of the Western North Carolina Parrot Head Club, a charter member of PHIP.
Steve Weams: rhythm guitar, vocals
Mike Barnes: lead guitar, vocals
Mike Rothacker: bass
Jack Nitterauer: percussion, vocals

From the performer: “Carolina Cracker (a.k.a. Michael Higgins) is a native of Burnsville, North Carolina. As a child he didn’t have much and turned to the outdoors, spending most of his time flying through the woods on his ATV. In school he began writing poetry and his music launched from there. The cracker has been interested in a career in the music industry since he was a young teenager with dreams of being a rap superstar, and at the early age of fourteen, he was exposed to the art of “Hustle”. The Carolina Cracker is determined not only to survive the poverty and seclusion of a small country town and dusty dirt roads, he insists on acquiring it all. He is determined to make the world notice that the woods and mountains of the South also have corners, hoods, streets, and respect for the game.
After facing some trouble with the law and spending 30 days in the county jail. He decided to leave his hometown of Burnsville in 1999 and set out on a mission to get his music out to the world. He had the opportunity to travel the country with the Rennaissance Festival and saw it as his way out. The Cracker traveled all across the country with the goal of networking with people in every facet of the music industry. He has returned home just recently, but is still pushing hard to make his dreams a reality.
The Carolina Cracker is a hip-hop artist whose music is not the typical rap or hip-hop that is in the mainstream media today. It’s the good, bad, beautiful, and ugly sides of life. The music he creates is a testimony of his life. It’s the lessons and the experiences he has been through, and anyone can find something they relate to in the music he makes. His music combines elements from hip-hop, country, blues, bluegrass, and rock. He is currently working on his third album.”
Michael Higgins: vocals

“Adam, a man of the stars, found CaroMia after searching three long-and-lonely years for his astrological match in both the Chinese and Western zodiacs. One day in a foreign city the skies opened and a Libra tiger-pixie who had secretly been watching him play guitar, walks up and asks him to play a song. (Adam and CaroMia) are now living together, writing, playing and dreaming-up music in Asheville.”
CaroMia: guitar, keys, vocals
Adam Neher: guitar, mandolin, banjo

Chris Tullar has been writing and recording his unusual pop music for over 10 years. His music has been featured on WNCW, as well as NPR’s “All Songs Considered” Podcast. In his own words, his songs “tend to be highly contagious and tote excellent grammar.”
Chris Tullar: keyboards, guitars, bass, drums, accordion, etc.

“Cary Fridley’s powerful vocals soar on an all-star group featuring honky-tonk guitar, bluesy pedal-steel and hot Appalachian fiddle stylings. The music shows true love for Southern music – black and white, rural and urban, mountain and Mississippi delta – and the notable ability to tie it all together. Cary’s singing evokes centuries of Southern voices from Memphis Minnie to Maybelle Carter, breathing new life into the music of her Southern background.”
Cary Fridley: vocals, electric bass
Stephen Trismen: fiddle, vocals
Jon Stickley: electric guitar
Matthew Smith: pedal steel
Jacob Baumann: drums

“Solo jazz guitar (a la Joe Pass). Jazz standards, modern jazz and blues.”

“Charlie’s on Acid started at Brevard College as a rock covers band. They soon moved to Charlotte, where the band focused on creating original rock music. Charlie’s on Acid toured with many bands including Swervedriver, Blind Melon and White Zombie. They are now writing new material and booking select shows.”
Toby: guitar, space toys
Eric: bass
Rusty: drums
Sean: vocals

Mark Casson and Shannon Hines have been performing and recording together since 1992, and the last 15 years have done nothing to diminish their unapologetic obsession with ‘60s pop music. The group claims to be heavily influenced by act such as “The Beatles, David Bowie, Curtis Mayfield, Van Morrison, Donovan, Neil Young as well as a wide variety of soul music.”
The Cheeksters’ 2007 release Movers and Shakers was reviewed in the 2007 Xpress CD round up “Sound Investment.”
Mark Casson: lead vocals, guitar, piano
Shannon Casson: bass, guitar, vocals
Jay Moye: guitar
Mike Baker: drums
Michael Hart: guitar, trumpet
Stranger Things Have Happened (1992)
Hey, What’s Your Style (1994)
Skating on the Cusp (1995)
1965 (2005)
Movers and Shakers (2007)

“Chelsea Lynn La Bate has spent the past four years honing her songwriting skills at venues in NYC’s Lower East Side and in Brooklyn. Known for her rich ‘song stories,’ she paints pictures with her words, lyrically exploring human suffering, personal triumphs, courage, solitude and found love.”
Chelsea Lynn La Bate: guitar, vocals

“A grassroots act made up of a core trio, plus various guest appearances. Chesterface’s main drive is to search for a live music experience. Although they are new, the energy that is brought to each show will push the limits of psychedelia.”
Josh Goodwin: guitar, bass, vocals
Tommy Lance: bass, guitar, vocals
Justin Cantilini: drums

The Chops are something of a local “supergroup,” combining members of Dig Shovel Dig, Descolada, On The Take and “a bunch more bands.” In their own words, the surf-and-punk-influenced rock band is described as “a substance abuse with a band problem.”
In 2008, the group was profiled in the MountainX.com local-music blog Listening Party.
Andrew Riddle: guitar
Daniel Will: guitar, bass, vocals
Patrick Jordan: bass, guitar, vocals
Jamie Hepler: guitar, synth
Mark Williams: drums

Christine’s songs have been recorded by several popular artists, including country diva Kathy Mattea, and “Nashville Star” finalist Casey Simpson. Borders Books & Music chose Christine’s CD, Rain & Mud & Wild & Green as one of the Best of 2003, and the Washington Post called her “a petite powerhouse of a singer.”
Christine Kane: singer-songwriter, acoustic guitar
This Time Last Year, Big Fat Music, 1995
A Thousand Girls, Big Fat Music, 1997
Live, Big Fat Music, 2000
Rain and Mud and Wild and Green Big Fat Music, 2002
Right Outta Nowhere, Firepink Music, 2004
Backstage Guitar Lessons with Christine Kane DVD
Live at the Diana Wortham Theatre DVD

In their own words, Chris Cates & The MasterPlan are “straight from the rays of the Brown Mountain lights” and “radiate their unique music to all plant and animal life alike. Their tasty tunes blow down from the heights of mighty Table Rock flickering big city lights and farm truck head lights like a fastball thrown straight down the pipe.”
Chris Cates: vocals, guitar, piano, harmonica
Chris Singleton: bass
Jason Peeler: drums
John Kell: alto sax

In his own words, Jamison creates “songs of love and mystery in a quantum universe” and his music is a “heartfelt soundtrack for the minds of the new paradigm. For the seeker, the dreamer, and the adventurous spirit ...”
Photo by Julie Cochrane, http://www.jbirdphotography.com
Chris Jamison: singer/songwriter

“Chris McCune’s latest recorded work titled Originals Live From the Heart of the Blue Ridge was written, arranged, published and released by the singer-songwriter himself. When it comes to Chris’ pickin’ style, you’ll see special effects as his fingers skate across any stringed instrument. It is hard to fit him into a certain (musical) genre, as he fits into many. He is without a doubt, a Folk Troubadour. In his music, you will recognize the influences of Jim Croce, Norman Blake, Tony Rice and Steve Earle.”
Chris McCune: - guitar, mandolin & dobro

“Chrome Loafers are a rock-covers band influenced by music from the ‘60 to today. They started in 2003 as a garage band, and have since evolved into a tight rock-and-roll band that will shake the house!”
Robert: lead guitar, vocals
David: bass guitar, back-up vocals
James: percussion
Joel: rhythm guitar, vocals

“Longtime blues aficionado and music historian, Chuck Beattie (Dr. Blues) fronts the Chuck Beattie Band, a Chicago-style blues band. Originally from Rocky Mount, N.C., Beattie grew up in a household filled with music. He currently resides in the beautiful mountains of Asheville, where he continues to keep the blues alive.”
Chuck Beattie: guitar, vocals
Jack Dillen: guitar
Kenny Dore: harmonica
Tony Black: bass
Craig Anderson: drums

In addition to being fixtures on the Dr. Demento show, his songs have been recorded by Kathy Mattea, David Wilcox, Sara Hickman, Chuck Pyle, and many others, and his tune “Blow ‘em Away” was selected by Christine Lavin for Shanachie’s 1996 “Laugh Tracks” album. He’s appeared on nationally syndicated radio programs “Mountain Stage,” “Acoustic Cafe,” and “River City Folk,” and has performed three concerts of his celebrated baseball story songs at the National Baseball Hall of Fame.
Chuck Brodsky: singer-songwriter, story-teller, guitar
A Fingerpainter’s Murals, 1995
Letters In The Dirt, 1996
Radio, 1998
Last of the Old Time, 2000
The Baseball Ballads, 2002
Color Came One Day, 2004
Tulips for Lunch, 2006

Don Rawson: fiddle, lead vocals
Steve Burnside: arch top electric guitar, Cajun accordion, back up vocals
Jor Sutton: drums, back up vocals
Brent Sevier: upright acoustic bass
Scott Sharpe: lap steel guitar

Code Adam is a pop-punk band fronted by songwriter Paul Golden. With a collection of bitingly sarcastic songs and an energetic live show, the group has been entertaining crowds in the region since 2002.
Paul Golden: guitar, vocals
Ro O’Brien: bass guitar, vocals
Chris Rod: drums, guitar, vocals

In his own words, Sluder sees his music as akin imagining yourself “resting upon a mountain you just climbed. You’re looking down at the patchworked fields below you, and you are completely at peace. That’s my style, I guess.”
Colby Sluder: guitar, bass, piano, accordion

Photo: ©2007 Vincent Tseng
Col. Bruce Hampton vocals, guitar
Jeff Caldwell: vocals, guitar
Kris Dale: bass
Mark Letalien: drums

Formed for a recording session in late 2006, Conduit Broadcast is a cooperative of musicians that come together to “put their worldly sounds out into the universe.” Bringing backgrounds in Indian, Malian, Brazilian, Afro-Cuban, jazz and Americana, the group has performed throughout the Midwest and Northeast.
Darin Leinbach: words, typewriter
Aaron Kaz: kora, sitar, pipa, more
Jeff Rattner: double bass
Aaron Shafer-Haiss: drums and percussion

“Convalescence is a band that is quickly rising up the local music scene. The band is gaining quick attention from metal fans around WNC. They just do what they love.”
Matt Anderson: guitar
Wil Moss: vocals
Jared Morrow: drums
Britt Arndt: guitar
Zak Reuther: bass

“The Cruxvoid was formed by two local faces of the underground music scene. Blending dark genres and ideals, the band looks to create something completely different. Their styles range from kvlt black metal, to industrial, punk and experimental. The band has released two split CDs and a full length studio album is set to be released in late 2009 or in early 2010.”
Mr. J: bass guitar, backing vocals, programming
The Trashtanker: guitars, lead vocals, synth, programming

“Crystal Kind comes together to inspire love, unity and transformation. The band creates a dynamic and conscious style of music they called ‘Cosmic Reggae,’ which blends funk, reggae, rock and blues. Crystal Kind is more than just a musical act, they are also the founding members of the Crystal Kind Cooperative, a grassroots organization working to uplift and empower their community. They are influenced by many teachings including: The Mayan Dreamspell Calender, Jah Ras Tafari and the principles of Cosmic Zen.”
Ras Berhane: vocals, guitar
Maya Marck: bass
Seripha: guitar
Andrew Wheeler: drums

The Curbfeelers are a classic-rock cover band, and have opened for a number of groups including 38 Special, the Marshall Tucker Band and the Artimus Pyle Band.
Rick Ballenger: vocals
Mike Merk: guitar
Alex O’Shields: guitar
Josh Kiraly: bass
Pete Hammoura drums

“Heavily reverberated weirdo-pop. Influenced by Phil Spector, Ralph Records, CAN and of course, The Shaggs.”
Greg Hatem: guitar, vocals

Jay Sanders: upright and electric bass, acoustic and electric guitar, vocals
Andy Pond: acoustic and electric (midi) banjo, vocals
George Pond: acoustic and electric guitar, electric bass, vocals
Billy Seawell: drums, tablas, percussion, vocals

Cyprian Kane

Cyril Lance: guitar, vocals
Dave McCracken: B3 organ, vocals
Steve Clarke: bass
Dan Davis: drums
Stranger in My House, 2001, Dog Talk Music
Live from the Outskirts, 2004, Dog Talk Music

Dana and Susan Robinson have played Washington D.C.‘s Kennedy Center and took part in the Putumayo Singer-Songwriter Festival at Carnegie Hall New York, N.Y.
Photo courtesy Ian Murray: http://www.ianmurrayphoto.com
Dana Robinson: vocals, guitar, fiddle, mandolin, banjo
Susan Robinson: vocals, guitar, claw-hammer banjo
Elemental Lullabye (Dana Robinson), 1994, Threshold Music
Midnight Salvage (Dana Robinson), 1997, Threshold Music
The Trade (Dana Robinson), 2000, Threshold Music
Avenue of the Saints (Dana Robinson), 2002, Threshold Music
Native Soil, 2004, Threshold Music

“Dark Candy is an electronic/post rock duo whose instrumental music integrates both compositional and improvisational tactics. Their sound is characterized by both organic and digital methods, relying heavily on melody-driven grooves and thick soundscapes. Hip-hop, dub, progressive rock, breakbeat, psychedelic and post-rock stylings are apparent in the mix of their diverse and well rounded sound. Executed without loops, processors, triggers or laptops, DCD takes live electronic music to a whole new, real-time level.”
Jon Krieger - Keys
Ryan King - Drums

“Blending traditional rock grooves with experimental compositions, intellectual social commentary with a juvenile sense of humor, the Dark Shave offers their unique perspective of society through their music. Not driven by dreams of fame or glory, the band seeks merely to find its place in the thriving local music scene.”
Chris Milan: vocals, rhythm guitar
David Milan: lead guitar, keyboards
Matt Jackson: drums

Originally founded as a studio project, Darpa has grown to become a live band that incorporates a variety of influences — from new-wave and psychedelic rock to brit-pop and trip-hop — into their music.
Andy Palast: vocals, keys
Joe Wagner: guitar
Kevin Freeman: cello
Greg Terhune bass
Steven Jahson Finch: drums, harmonica

Dave Desmelik’s former band, Onus B. Johnson, was a band finalist at the 2001 Telluride Bluegrass Festival band competition and was voted Flagstaff, Arizona’s best band 3 times. Dave was the winner of the 2002 FAME (Flagstaff Awards for Music Excellence) award for best singer/songwriter and the 2004 Asheville “Make a Wish” Foundation songwriter shootout. He was Included on WNCW’s “Crowd Around the Mic” Vol. 9 compilation CD and was a featured artist on Shut Eye Records’ “The United State of Americana” Vol. 2 compilation CD.
His album, When Your Eyes Are Closed, was voted in the top 100 new releases of 2005 and #13 best regional album by listeners of WNCW radio. The same album reached #19 on the Roots Music Report (Folk Airplay), #12 on the FreeForm American Roots chart, and #6 on the EuroAmericana chart in January of 2006.
Dave Desmelik was voted “Best of 2006” local artist (Alt/Country) in a Mountain Xpress readers’ poll.
Dave Desmelik: singer, songwriter, guitar
Move On, 1999
Have Another, 2001
Afterthoughts, 2003
When Your Eyes Are Closed, 2005
Unheard Of, 2007

“My name is Dave Foraker, I pound the piano, tell stories and sing the blues. I’ve sung with rock bands, country bands, blues bands and variety bands. At one time or another, I’ve backed up The Coasters, The Drifters, Spyder Turner, Maurice Williams, Percy Sledge, Marcel Evans, Thomas ‘Guitar’ Gable & Clifford Curry, and opened for Leon Russell, The Doobie Brothers, Rory Gallagher, Wayne Cochrane, Badfinger, Tracy Nelson & Edgar Winter, among others. In my ‘spare time,’ I play at piano bars from Virginia to Georgia.”
Dave Foraker: vocals, piano
Thank The Lord, 2004
A Piano, A Mic & Me, 2007

“Dave Lagadi performs jazz standards by such musicians as Michael Buble, Frank Sinatra and Bobby Darin. He performs at fine dining restaurants and at Vaso de Vino Wine Bar in Asheville. Lagadi also performs in a duo with jazz flutist and bass guitarist Steve Sarant.”
Dave Lagadi: Ibanez jazz guitar & Takamine classical guitar

Nancy Jones (CDBaby.com) summed up Turner’s intimate, piano-vocal solo record by writing, “Look deeper than the surface. The lazy reviewer would draw comparisons of Dave Turner and Elton, of course. But just as the title says, these are stories that are true. Look under the rock of similarity and search for what touches you and mirrors your own life. It’s all in there.”
Turner’s CD Could Have Talked All Night was reviewed in the 2007 CD round-up “Sound Investment.”
Dave Turner - piano and vocals

David is a four-time Grammy Award winner, winning two Grammys with Doc Watson for their 3 CD set Legacy. He is known for his folk music and storytelling recordings, his numerous programs on TNN , Folkways on PBS, Riverwalk on public radio, and for his popular concerts performed throughout the country. He was founder and director of the Appalachian Music Program at Warren Wilson College from 1975-1981. He is a three-time winner of Frets magazine readers’ poll for “best old-time banjoist.” Southern Living magazine recently featured David as a “Southerner Making a Difference.”
David Holt: banjo
Laura Boosinger: guitar
Josh Goforth: guitar, fiddle, banjo, mandolin, bass
Zeb Holt: bass
David Cohen: percussions

David maintains a tireless tour schedule of about 200 road days each year. He’s the author of a successful children’s book based on his award-winning children’s song S.S. Bathtub and is the co-founder and volunteer director of a non-profit NGO, PEG Partners, which works with schools in Guatemala to improve learning environments there.
David LaMotte: singer-songwriter, acoutsic guitar
Barefoot, 1991
In the Light, 1992
Flying: Live From the Grey Eagle, 1994
Hard Earned Smile, 1997
S.S. Bathtub: Songs for Kids and Their Grownups, 1998
Corners, 2000
Good Tar, 2001
Spin, 2003
This Is My Song: A Retrospective collection: Songs of Peace, Justice and Hope, 2003
One Night In North Carolina, 2006 DVD
Change, 2006

This collection of UNCA grads claims to have bonded over a jazzy version of Black Sabbath’s “Wicked World,” and have since become a band focusing on swing, Be-bop and fusion.
Christian Clasen: guitar
Michael Di Perna: bass
Mikel Allen: drums

Deep River is a country vocal group featuring strong three-part harmonies with both original and cover tunes. Their performances are “like a traditional southern country ‘stew’ containing elements of blues, bluegrass, rock, gospel and cajun spice designed to warm the hearts and move the feet of our audiences!”
Gerry Brown: dobro, guitar
Justin Watt: drums
Sandy Howard: lead and harmony vocals, acoustic rhythm guitar
Sharon Lewis: lead and harmony vocals, bass guitar
David Tarpley: lead and rhythm guitar

“Upon listening to The Deep Vibration, one will hear a slew of influences, be it Young, Springsteen, Jeff Tweedy or Thom Yorke, but they’re all channeled with care and seemingly without consciousness. Their songs are full of gray-sky, Americana inspirations, the crunch of Zuma-era Neil Young, the black literary streaks of Nebraska-era Bruce Springsteen, and even a melancholy hint of Being There-era Wilco.”
Matt Campbell : Lead Vocal, guitar & harmonica
Jeremy Fetzer : electric guitar
Luke Herbert: drums, percussion
Adam Binder: bass & backing vocals

Dehlia Low is an Asheville-based band focused on harmony and duets, with great picking too. They play well-chosen traditional songs and energetic originals.
Anya Hinkle: vocals, fiddle, guitar
Stacy Claude: vocals, fiddle, guitar
Bryan Clendenin: mandolin, vocals
Aaron Ballance: dobro, pedal steel
Greg ‘Stig’ Stiglets: bass

“As if the warm familiar melody of porch-roots music has been plugged in and turned up: The Delta Saints are driving listeners from the comforting recline of their porch swings right to the edge of their seats. It’s a fusion of traditional Southern soul and funk-inspired power, all layered with furious harmonica lines that simultaneously tie the group together and threaten to unseat it all in one sweep.”
Ben Ringel: dobro, vocals
David Supica: bass
Ben Azzi: drums
John Shaw
Greg Hommert: harmonica

Descolada plays thrashy, experimental, melodic music. The group has spent much of the last few years touring around the country, and plans to head to Europe for fall 2008. The band has released two albums to date, both of which are now sold out. A third album, tentatively titled Paleolithic Re-Wilding of the West, is slated for release in late 2007.
Since Descolada is terrible at describing their music, here are some nice things that other people have said about them:
“Their music is eerie, disconnected, and intense….One thing that’s clear throughout this record is the superb musicianship throughout from all the band- who manage to create such a thick and rapturous sound without compromise.” Doll Eyes
“This band has destroyed the borders of hardcore. I have never heard a band incorporate so much in one song. They go from haunting to beautiful to brutal all in the blink of an eye, and they manage to do all this without sounding sloppy. I am so impressed with this record, I can’t wait to see how they destroy musical borders in the future.” Our Reviews
“Descolada manifests as a sophisticated rock curio.” Sea of Tranquility
“Theirs was just the first conglomeration of this crashing wave that I heard, and their combined melodic rage has continued to define the new downtown sound for me.” Mountain Xpress
“Descolada evoke both rage and excitement while simultaneously exploring the unconventional use of the violin. All of which induces mind-blowing crescendos both beautiful and tragic.” Charlotte Observer
“They are a must-see act for anyone who hasn’t seen them.” Creative Loafing
Meghan Mulhearn: violin
Davis Lynch: guitar
Tony Plichta: drums
Paul Anderson: bass

De Lions of Jah opened for Morgan Heritage and Yellow Man.
Dave “Da General”: lead vocals
Chris “Natti” : keyboards, backup vocals
Thomas “Lil Mont”: percussion, backup vocals
Joey “Linkyman” : bass
Stirling “Pirate”: rhythm guitar
Jeremy: lead guitar
Desmond: drums
Music, 2007, DBT

Die By The Sword blends elements of modern influences such as NOFX, Thrice, and Lagwagon with the bottom-heavy southern sound of Pantera, the dueling-guitar licks of Iron Maiden, lightning-fast solos reminiscent of early Metallica and an ever-present love for Slayer (the name “Die By The Sword” was borrowed from the third track on Slayer’s “Show No Mercy”). The group is currently planning multiple small tours around the east coast of the US.
Bryan Thurman: bass guitar
Travis Wray: guitar, vocals, keys
Sam Frame: drums
Skippy: “throat”
Chris Rod: lead guitar, vocals

There are few local bands that proudly proclaim to be as “mindbendingly weird” as Dig Shovel Dig. With a sound that is ever-evolving and a reputation for memorable live shows, the group has established their own niche in the local music scene. The duo have steadfastly refused to fit into any clearly defined musical category, and have produced a surprising variety of recordings in their 5-year history. The group, through their cassettes/CD-Rs-only Searchwielder label, has also helped bring other like-minded performers into the public eye.
The group was featured on an episode of the URTV program Mount Dungeon.
Mountain Xpress articles featuring Dig Shovel Dig:
Do sequencers dream of electric banjos? (5/23/2007)
Digging for recognition (7/23/2003)
Ted Robinson: bass, keyboards, vocals, laptop, pedals, mixers
Mark Williams: drums, vocals, keyboards, pedals, tape machines
Number Yum Taste (2003, Searchwielder)
It’s under The Blanket (2004, Searchwielder)
dsdlive! (2005, Searchwielder)
Recent Works From the Two Greatest Composers in the Universe (2005, Friends and Relatives)
Real Healer Revealer (2006, Searchwielder)
So Wha Bou ME? (2007, Searchwielder)

“The Discordian Society is an eclectic combination of funk, jazz and rock, with influences that range from Zappa and John Xorn, to Jaco Pastorius and Primus. Formed by bassist/composer Davz ‘Not’ Heare,The Discordian Society has awed crowds across the country. The band is currently working on a second full-length album titled Primordial Soup, with a tentative release date set in early 2010.”
Max Melner: keys
Alfonso Grissefo: guitar
Dave Annareli: bass
Paul Jewel: tenor saxophone
Jason Moore: tenor saxophone, flute
Scott Poe: drums
Rise of the Molecule, 2006

Originally conceived by bassist Bryan White as a side-project, Done For The Evening quickly grew into an entity of its own. Their repertoire includes original material and choice standards.
Frank Southecorvo: saxophones
Bryan White: kontrabass
Ian Cunningham: drums

“Live shows consist of looping tonal-drum feedback and performing with partially dismantled pianos. A new album should be out by the end of 2008.”
James Owen: drums, vocals, electronics
Shane Perlowin: guitar

Downbreak is an aggressive, powerful and energetic metal band from Asheville.
Jarrett Hodge: vocals
Shaun Blanton: guitar
Gene Rice guitar
Tony Harp: drums

Drew Holcomb: vocals and guitar
Ellie Holcomb: vocals
Nathan Dugger: guitar
Jon Radford: drums
Rich Brinsfield: bass
Washed In Blue, 2005
Live from Memphis, 2006

This Hendersonville-based hardcore metal act tours regionally.
Jay Adams: guitar
Chad Baldwin: guitar
Jaysun Brenneman: vocals
Jason Miller: bass

East Coast Dirt describe their sound as “sneaker boogaloo,” explaining that it is a fusion of many genres, both retro and progressive, into “a danceable blend of original music.”
Wilson Hawes: bass, guitar, vocals
Brian Steel: guitar, bass, vocals
Will Little: keyboards, guitar, vocals
Brad Boughton: drums, vocals

“Dark rock grunge style. Most influences are from the early 90’s grunge scene, with a mix of heavy Black Sabbath riffs (and) creative modern lyrics. Eat The Sun is in the process of auditioning a bassist to complete the band, but they are a duo at this point with a great sound. The future is bright for these talented young men.”
Nik Robinson: vocals, guitars
Ben Moore: percussion

Organic, intelligent and accessible songs define Einstein’s Dream, even if their music itself never fits comfortably in a single genre.
The group claims to be far more concerned with creating a tight rhythm section and strong melodies than they are with the standard rocker concerns, namely “eyeliner or retro chic clothing.”
Jared Hooker: guitar, vocals
Billy Seals: drums
Brad Gaddy: bass guitar

Wordy and rhythmic, Elam doesn’t really play folk music, instead creating more of an architecture of images. He began playing the guitar ten years ago while attending Warren Wilson College, and has since been honing the craft of song the world around.
Elam Blackman: vocals, guitar

“My music is pretty mellow,” says Wyman. “Most of my releases follow themes. I’ve written an album of short, morbid stories with ghosts, and murder, and such, an EP of songs based on fan submitted stories named after them, and most recently an album that chronicles my battle with kidney failure which ended with a transplant.”
Elijah Ebenezer Wyman: guitar and various other things

Eliza Lynn was voted best singer/songwriter in the 2006 Mountain Xpress Reader’s Poll. Her song, “Sing a New Song” is featured on the Putumayo World Music release, Americana.
Eliza Lynn: singer-songwriter, vocals, guitar, banjo
Sean Foley: keyboard and accordion
Jon Corbin: guitar
Mike Alexander: upright bass
Ian Cunningham: drums
Jill Fromewich: harmonica
Frisky or Fair

“The Elkville String Band, from Wilkes County, performs old-time mountain music.”
Drake Walsh: fiddle, mandolin
Herb Key: guitar, vocals
Bill Williams: vocals, bass
Jeff Michael: banjo, fiddle, guitar, vocal

“A rhythm-and-groove band with a soulful singer and killer horns.”
Christa Shuford: lead singer
Jerry Collins: saxophone, keyboards, vocals
Deborah Collins - saxophone, keyboards, vocals
Jared Pennington: guitar, vocals
Sam Choat: trumpet, percussion
Jeff Haas: drums
Casey Cloer: bass

From an early age, Empress Tsade has had an extreme love for music. It is this same love that propelled her to form a band while still in elementary school. Due to lack of enthusiasm and band members’ choices to pursue other pathways, the band was forced to dismantle. However, Tsade quietly honed her writing abilities for many years by joining groups which encouraged her to continue perfecting her craft. While in college Empress Tsade once again felt such a strong love and musical vibration from the locals while attenting school in Philadelphia. After visiting many of the local clubs and through her affiliations on South Street, she garnered the attention of bredrin Ras Al. A studio date was set and a anxious Tsade entered. The meeting would produce a CD that would be played by those closely affiliated with the empress’ Fiyah Wire Camp. After relocating back to her hometown, Tsade now had to again form proper links with the right idren who would produce a righteous sound. Currently, Tsade is working on a new CD-yet to be titled-and has teamed with Big Dropz Recording Studio. Now as a burgeoning artist Empress Tsade has now matured her lyrical and conscious capabilities to a standard that is ready to be heard by all who hail up the king and see the righteousness of His and Her Majesty.
Empress Tsade: vocalist

Empty Slate was originally born in New York City in 1998. Chris Williams had a vision for the band that he wanted and needed to come together, but “not all the resources and frankly, exact talent” that he would later find in the mountains of WNC. “The Slate” connects roots from reggae to country and from rock to funk, and incorporating “heavenly harmonies from the lowest low to the highest high.”
Chris Williams: vocals, rhythm guitar
Caleb Hensley: lead guitar, vocals
Brian Keith: bass guitar, vocals
Lee Kram: drums, vocals

“The Enemy Lovers are a new band coming out of Asheville, N.C. Brothers Tim and Steven Scroggs started (the band) in the middle of 2008, while in the studio recording what would become their debut album. (Their) musical style is everything rock and roll. The Enemy Lovers’ music is a blend of different things at different times and the overall feel is authentic and melodic with a forward energy centered around the lead vocals of Tim Scroggs.”
Tim Scroggs: guitar, vocals
Steven Scroggs: electric guitar, vocals

“As beekeepers in 2006 began reporting, nearly one third of all honey bees have been leaving their hives, never to return again. Much of our food supply is dependent upon pollination, so please, remember the bees. Erika Jane & Remember the Bees’ goal is to communicate this information through blogs and by having local beekeepers at their shows to answer questions.
Their latest album, Live at the Orange Peel, layers Erika Jane’s ‘don’t-wake-the-neighbors’ melodies with uncomplicated string section to create simply beautiful music.”
Erika Jane: guitar, piano, vocals
Jacob Waller: guitar
Steven: drums
The Hill Creek Sessions, 2006

“Everett James is the new impresario of electro funk, heralding the return of sincerely raw and passionate, vintage-futuristic music. Like early 80’s dance jams, his head spinning rhythms are accented with synthesized melodies that sparkle through struggles for personal freedom with love-drunk optimism. By summoning his stylistic ancestry, Everett James offers an over-saturated digital world with music that is as straight forward as it is ambitious.”
Everett James: vocals, guitar, bass, keyboard & drums

Sam Quinn’s song T.V.A. from halfway there: electricity and the South won first place in the Chris Austin Songwriting Contest 2005 at Merlefest.
Photo by david butler via http://www.theeverybodyfields.com
Jill Andrews: vocals, guitar, bass
Sam Quinn: vocals, guitar, bass
Josh Oliver: keys and electric guitar
Tom Pryor: pedal steel
halfway there:electricity and the South, 2004
plague of dreams, 2005
nothing is okay, 2007

Jay Kaiser and Mandy Carter have been making music as a pair since 2001. Jay, who was trained in classical guitar at the University of Illinois, moved to Asheville to join a local rock band. Mandy was fresh on the singer songwriter scene, testing her new found talent in local showcases. Noticing the matching stickers on one another’s guitar cases, the two found musical common ground.
Jay Kaiser: vocals, guitar
Mandy Carter: vocals
Jeff Dewhirst: drums
Joe Bruno: bass
Aimee Sullivan: sax
No Complaints With The View, 2003, Shinemusic
Big Blend, 2006

“Eve of Redemption is a metal band [making] odd, melodic, somewhat creepy music combined with kick-your-skull-in riffs. Expect to hear Eve of Redemption performing stronger and more defined music than ever.”
Marklar: vocals
Pinky Paul: guitar
Jester: guitar
Legs: drums
The Sloth: bass

Corey Bullman: lead vocals, guitar
Kevin Scala: keyboards
Rob Heyer: bass guitar
Daniel Yount: drums, percussion
Place

“We are a rock/blues band and we are looking forward to coming to Asheville to play in the future.”
Dave Rome: vocals
Chris VanSong: guitar
C.E.Denman: bass
Bryant Burgess: guitar
Jack Eastep: drums

“If Muse and Ben Folds threw a party in Thom Yorke’s head while he listened to “Rubber Soul” on repeat, it might sound a bit like The Fire Tonight’s debut album, No One Is Fine. Why-the-heck-can’t-I-stop-listening catchy, No One Is Fine tiptoes into your head space and refuses to leave. But after listening to all 10 tracks – thrashing rock-riffs and soulful piano licks side by side – you won’t want it to.”
Collin Derrick: vocals, keyboard, guitar
Jamie Heiting: electric guitar
Stephen Russ: drums
No One Is Fine

“The Fist Family was formed by a group of friends who had a passion for nightlife and a love for rap music. Through that passion these young men, who started off free-styling at a local party, ended up making numerous CDs and throwing the shows that helped define Asheville’s small, but vibrant hip-hop scene. The group was voted best hip-hop band by Mountain Xpress readers in 2005 and 2006. Since then, the group has extended their presence to the West Coast by promoting their own brand of Carolina-rap music.”
Philo : Beat maker, MC
Frost: Beat maker, MC
Gus Cutty : MC
J -Ease: MC
Ronny Mac: MC
Johnboy: MC
Macon Beats: DJ
DJ Football: DJ
Horseshoes and Hand Grenades

“Folsom was born from the desire of five talented musicians to pay tribute to the classic sounds of Johnny Cash. Using a combination of exceptional musicianship and an energetic presentation, Folsom consistently delivers show after show. Folsom performs at all types of venues including, festivals, fundraisers, private events, weddings and in nightclubs.”
Robert Beall: vocals
Eric Upton: guitar
John Ruppe: guitar
Jamie Scruggs: bass
Tim Jones: drums

“The Folsom Prison Gang is a Johnny Cash tribute band. Operating since 2007, The Folsom Prison Gang has performed at festivals, theaters and events from South Carolina to Maryland.”
Tony: vocals
Brandon: guitar
Ryan: guitar
Jackie: drums
Roger: bass

The Foolish is a one-man psychedelic pop band, formerly known as Murray the Cop. Brian Nesbit is an ex-member of numerous bands and projects including The Skipping Class, Linus, Legoland, Loaded for Bear, and Dark Factory.
Brian Nesbit: everything
You’ve Come The Wrong Way, Baby, 2007

“Free Planet Radio’s world/jazz/classical music fusion is a trans-cultural canvas that is, at times, deeply reflective and at other times rhythmically mind-bending. An evening with Free Planet Radio offers a richly unique aural experience which includes the exotic sliding string sounds of the Indian Dotar dancing around a pulsing jazz bass, accented by the shimmering jingles of an Egyptian Riq Tambourine. Free Planet Radio weaves Middle Eastern, Indian and North African melodic and rhythmic structures, blending them with the subtleties and harmonic vocabulary of Western classical music, underscored with the improvisatory element of jazz.”
River Guerguerian: award-winning multi-percussionist & composer
Eliot Wadopian: string, electric bass
Chris Rosser: an accomplished pianist, composer / producer

“Frozen Head & the Squirrels is a diverse, modernistic band that combines rock, reggae, surf and funk [music]. Front-Man Broughton Aycock brings up-beat riffs and eclectic vocal style into the mix, while Jayson “Mole” Hicks brings a fusion of funky rock and reggae. Stephan Carbocci [brings] a heavy sub sound.”
Broughton Aycock: guitar, vocals
Stephan Carbocci: upright, electric bass
Joshua Martier: percussion

In their own words, the Funk 4 Corners “mix old with new with skill that far exceeds their years, and effortlessly their roots are reborn.”
Joshua Singleton: vocals, harmonica, guitar
and a rotating line-up that often includes ...
Tom Leiner: guitar
Duane Simpson: guitar,
Rob Geisler: bass
Jake Wolf: bass
Joey K: drums
Jim Arrendell: drums

“This collection of great musicians have been playing for a number of combined years. Their influences differ, but are combined in a complex and fun array of music. It’s like taking bands such as Pink Floyd, Allman Brothers, STS9, Blues Traveler, Chemical Brothers, Parliament Funkadelic, Yes, Jimi Hendrix, The Police, Phish, a dash of 80’s rock flare and pulsing it together in a food processor of sound.”
Andrew “Mighty” Mowles: guitar, talk-box, vocals
Robert “Slim” Prescott: drums, electronic toys, vocals
Chris “Chili” Eanes: bass, vocals
Robby “Rubbs” Carden: percussion, harmonica, various toys, guitar

“A neo-funk, hip-hop big band, dreamed up and fronted by emcees Zach Shitama and Dade Sapp. Gearing it up for a tour in late 2009 to early 2010.”
Zach Shitama: emcee, production
Dade Sapp: emcee, production
Adam Yeager: guitar
Shawn Beaty: guitar, bass guitar
Myk Baldridge: drums, percussion
Mike McBride: keys
Keri Fry: vocals
Erica Layton: vocals
Stephanie Marterre: vocals
Nick Roth: DJ
Nick Knapp: production

“Transformed from humble acoustic beginnings to an eclectic five-piece band, The Fustics offer spirited local and regional live performances. Singer/songwriter Brad Heller and his band mates capture an edgy, original sound, influenced by a wide range of musical genres including rock, blues, folk and country, which is fused together with Heller’s socially conscience lyrics.”
Brad Heller : vocals, guitar
Calloway Ritch: guitar
Phil Bevilacqua: bass guitar
Ronn Pifer: drums, percussion
Mark Schomaker: organ, piano

The music of the Galen Kipar Project was born out of a passion for the exploration of sound and composition. The roots of classical, jazz, blues, soul folk, and world beat are echoed within the overall chemistry of the Project’s music. Throughout its evolution, the music of the Galen Kipar Project has matured to a sound that is undeniably original. As demonstrated in the band’s lyrical potency, the GKP is dedicated to saturating the spongy sound waves with honest, imaginative music that reflects curiosity against observation of what our eyes see, ears hear, in the realistic, political, ethical, religiously spiritual, beautiful adventure of this ever changing cycle of life.
In 2006, Galen Kipar Project was voted #28 in WNCW 88.7 Southeast Regional Top 100, and named IMWS (Independent Music World Series) Southeast Semifinalist.
Core Players:
John Morrow: electric guitar
Jeremy Young: drum kit, percussion
Galen Kipar: vocals, guitar, harmonica, compostion
Freequent Guests:
Camilla Delk: violin, viola, vocals, keyboards
Jason Maloney: hand drums, congas, auxiliary percussion
James Pace: piano, B3 organ
Henry Westmoreland: tuba, trumpet
Changes (Galen Kipar and Island Ford), 2005

Describing his music as an “eclectic mix of americana styles, acoustic rock, bluegrass, blues,” singer/songwriter Garry Segal has been performing and recording for more than 20 years.
Segal’s 2007 album, Taking Notes was reviewed in “Sound Investment,” the Xpress‘s end-of-year music round-up.
Garry Segal: Singer/songwriter
Taking Notes, 2007

Gas House Mouse was a World War II bomber that flew missions over Germany bombing the “Gas Houses”. Sax player Dave Shealy’s father was the navigator on that plane.
Lee Devico: guitar
Butch Giusto: keyboards
Dave Shealy: vocals, saxophone
Johnny V: bass
Bill Chatoney: drums
Live Cuts, 2003

McGowen describes his sound as “progressive fusion epic journey music.”
Gavin McGowen: guitar, vocals, loops

Although the group originated in Boone, Get Lost recently relocated to Asheville in an effort to bring their “funky, driving tunes and head bobbing reggae” to a broader audience.
Tim Marsh: guitar, vocals
Jonathan Scaled: steel drums, vocals
Ben Bjorlie: bass, vocals
Nik Hope drums, vocals

The initials G.F.E. are generally thought to stand for “Granola Funk Express,” named for the Rainbow Gathering kitchen that brought the band together. However, G.F.E.‘s web site offers these options: Galactic federation of eathdwellers, god force energy, granola funk express, grow food everywhere, guiness for everybody, good family entertainment, geometry from egypt, geniuses formulating equations, growth from exposure, god’s forgotten explanation, gone fishin everyday, genre of future evolution, grown from embryos, generate free expression, guaranteed fresh every-time, garnished for effect, grassroots foundation employment, gasoline free engines, ganja food empire, gain free entry, grasping for eternity, global finance entrepreneurs.
Jenny Junk: percussion, keyboards, bass, songwriter, producer
Chad: drums, bass, songwriter, producer
Cricket: bass, guitar, drums, keyboards, turntables, songwriter, producer
Josh: guitar, MC, bass, keyboards, vocalist, songwriter, producer
Adam Strange: MC, vocalist, guitar, percussion, songwriter, producer
Foul Mouth Jerk: MC, producer, songwriter
Agent 23: MC, vocalist, drums, percussion, songwriter, producer
Will Sharp: vocalist, MC, songwriter
Metatron’s Cube, 1997
Philosopher’s Stone, 1997
Dumpsterfuge, 1997
Beat Poem Manufacturing, 1998
Hashashin Perspective, 1998 (Foul Mouth Jerk)
The Good Life, 1999
Seed, 2000 (Josh Blake)
Slactivism, 2001
Agent 23, 2001 (Agent 23)
Vespucci’s Ransom, 2003 (Foul Mouth Jerk)
Self-Full-Filling-profes-see, 2003 (Agent 23)
Bigger Than It Really Is, 2004
TheCause and Effect of Pop Culture, 2004 (Adam Strange)
Nickel, Nickel, Dime, 2004
Breakin Cages, 2004 (Agent 23)
Skrilla Warfare, 2004 (Foul Mouth Jerk)
Note G.F.E. has also appeared on :
Decoding of the Secrets of an Alternate Destiny (B-Ski)
The Funk Force Collective Compilation
The Decline of Western Civilization
Smush Factory

Ghost Mountain is an imaginary musical centerpoint in a triangle between New Orleans, the Mississippi Delta, Memphis, Chicago and the Piedmont. Theyw ere voted Best Band in a 2005 Asheville Citizen-Times reader poll.
J.P. Delanoye: vocals, guitar, harmonica, lap steel
Rick McQuillis: keyboards, vocals
Richard Foulk: percussion, drums, vocals
Gary Wiley: bass
Live At The Down Home
Transmitter

Gigi Dover was voted “Best Local Female Vocalist” of 2002 by Creative Loafing Charlotte. In 2004, Dover’s album Gigi came in at #21 on the WNCW Top 100 and was voted #3 in the Top 20 Best Regional Releases of the year. In 2005, she was named among “Eddy’s Dirty Dozen” in Village Voice, and in 2006 she was awarded “Best Vocalist Charlotte” by Charlotte Magazine.
Gigi Dover: lead vocals, acoustic guitar
Eric Lovell: acoustic and electric guitars and sitar, vocals
David Clark: bass, vocals
Jason Atkins: keyboards
Spur (rotating with Jimmy Z): drums
Unpicked Flowers, 2002
Gigi, 2004
Live 2,3,4,5, 2006
Nouveau, 2007

Ginny Wilder: singer, songwriter, guitar
40 Days and 40 Nights, 2001
Lessons in Life and Love, 2002
Strip Down, 2006

“Since emerging from the fertile Atlanta music scene in 2006, Golden has grown to become one of the top independent acts in rock music today. In three short years, they’ve recorded two studio albums, released a 3D music video, performed live on TV and radio, toured across the Southeast, and shared stages with acts like Big Head Todd & the Monsters, Robert Randolph & the Family Band and The Zac Brown Band.”
Adam Knight: electric guitar, vocals
Jerry Loch: pianos, keyboards
Joshua Golden: vocals, acoustic guitar
Sky: bass, vocals
Van Todd: drums, percussion

Holiday Childress: vocals and guitar
Patrick Kelly: bass and vocals
Michael Allen: drums and percussion
Greatest Hits, 1997
Postcard E.P., 2001
The Goodies Live!, 2004

The Go Devils play “catchy punk-type songs with traditional rockabilly style.”
Justin Brophy: guitar, vocals
Sammy Guns: stand-up bass, vocals
Jay McBones: drums, vocals

“Appalachian Psy-Pop.”
JB: keys, vocals
Mike: guitar, vocals
CoolMoD: drums, screams

“Grant DaSantos & Fatback consists of Asheville’s finest musicians. Grant DaSantos was most recently the lead singer/songwriter for local band Kung Fu Dynamite. Grant DaSantos is joined by drummer Mike Gray (of Firecracker Jazz Band); keyboardist Ryan Burns (of Laura Reed & Deep Pocket, Jen & the Juice, Josh Phillips Folk Festival); bassist Ben Bjorlie (of Funknastics & Tuesday Night Funk Jam); saxophonist Robert Gonzales (baritone) and David Zoll (lead guitar).”
Grant DaSantos: lead vocals, rhythm guitar
Mike Gray: drums
Ben Bjorlie: bass
David Zoll: lead guitar
Robert Gonzales: baritone sax
Ryan Burns: keys
Kether Abeles: backup vocals
Lena Maxcy: backup vocals

Since parting ways with legendary jamgrass pioneers, Leftover Salmon, Taxi driver Vince Herman has been writing and collecting new classics to add to his vast catalogue of southern swamp-rock, underground country, and Guthrie-tinged political satire culled from over 20 years of traveling the North American continent. While Taxi draws influence from Leftover Salmon among others, fans should not expect Taxi to pick up where Leftover stopped; they are a unique band with a little bit more of a southern rock feel.
Vince Herman: guitar, washboard, vocals
Chad Staehly: keyboards, vocals
Jake Coffin: drums, vocals
Edwin Hurwitz: bass, vocals
Streets Of Gold, 2007

The Green Fields claim inspiration from some respectable sources: The Beach Boys, The Byrds, Burt Bacharach, The Beatles, Gene Clark, Gram Parsons and Jimmy Webb.
Eric Bailey: drums, bass guitar
Chris Carter: drums, guitar, vocals
Charlie Cissell: glockenspiel, percussion, melodica, drums
Philip Harver: trumpet
Jon Paul Hess: bass guitar, keyboards, accordion
Chris Mondia: vocals, guitar
Matthew Smith: pedal steel

Grit Pixies promise to deliver more sound per square inch than your average blues duo – and “in cute dresses to boot.” With one guitar, two voices, multiple harmonicas and plenty of personality, Grit Pixies play traditional and original duets inspired by harmonica/ guitar duos of both the present (such as Cephas and Wiggins, Annie Raines and Paul Rishell) and the past (bringing to mind Sonny Terry and Brownie McGhee, Fred McDowell and Johnny Woods).
Jill Fromewick: harmonica, washboard, vocals
Eliza Lynn: guitar, vocals

Some of the artists we cover are: Pink Floyd, Tom Petty, Zeppelin, The Doors, SRV, Jimi Hendrix, INXS, T Rex, CCR, Steve Miller, Rolling Stones, & many more.
Eric Congdon: lead and rhythm guitars, lead vocals
Christian Justus: bass and cocals
Scott Todd: drums and vocals

This zany folk band from the Great Smoky Mountains features Celtic “female fiddle-frenzy” along with a variety of other styles. The band claims that their style is “great music for those with short attention spans.” The group performs original tunes and arrangements with elements of classical, bluegrass, rock, mountain ballads and comedy. Gypsy Bandwagon has performed at festivals and venues in the Southeast.
Carissa Moore: fiddle, keyboards
Karin Lyle: fiddle, bass, mandolin, banjo, keyboards, etc.
Lance Moore: guitar, bass
James Lyle: percussion, harmonica

“When we say Classic Rock, we mean it! Classic Rock doesn’t come from just any one era or age group, it only needs to stand the test of time. That’s classic enough for us.”
Andy Houston: guitar, keyboards, vocals
Kathy Houston: keyboards, percussion, vocals
Floyd Heaton: bass, keyboards, vocals
Lew Holt: guitar, vocals
Joel Oliver: drums, vocals

“Habibigy is a side project with members of The Honeycutters (Ian Spencer and Michael), Barrel House Mamas (Eleanor), Forty Furies (Michael), The Bluegrass Lumber Company (Ian) and Space Medicine (Melissa). This band has no guitar! Just happens to be that way but it makes for an interesting sound.
The music changes a lot according to the song. The main idea is to be non-genre specific and to play what we can’t in our other bands. So one song might be bluesy and the next klesmer, or a slow groove with sweet vocals.”
Spencer Taylor: mandolin
Eleanor Underhill: banjo, vocals
Ian Harrod: bass, vocals
Michael Lott: drums
Melissa Hyman: cello, vocals

“H.J.G. was formed by three working-class musicians. They released their first CD with the goal of taking the creative process to the extreme and turning stereotypes inside out. Their album Music from the Streets features fun, original tunes influenced by Primus, Ween, Modest Mouse, Frank Zappa, Jimi Hendrix and others.”
William Rainboy Ramsey: lead guitar, vocals
Mark Anderson: bass, vocals
Christ Malz: drums

Danny West: guitars, vocals
Derek Treible: guitars
Kyle West: bass
Brendon Treible: drums, vocals
Dora Berry: vocals, keys, glockenspiel

“This handsome, lounge-singer fronting band (performs) funked-out, high-energy dance music.”
Hector B. Nectar: vocals, drums, guitar
Hector R. Nectar: guitar, drums

The Hellblinki Sextet is a Shape-Shifting conglomerate of eclectic musicians from Asheville, NC serving an oddly beautiful musical vision envoking Broken tooth blues in a Tux, Choral fantasies for agnostic angels, and peg-leg waltzes on the rim of Mt. Vesuvius. In the studio or on the stage Hellblinki is prone to suprises, tension, and dramatic release; its material is refreshingly unusual, while remaining accessible to mortal ears.
The band has been known to perform as a true sextet, composed of male and female vocalists; acoustic electric and bass guitars, brass and woodwinds, multiple percussionists, violin, keyboards, samples, radio, various toys and empty wine bottles. In its present incarnation, Hellblinki is, Andrew the one-man band on guitar, vocals, drums and the occasional cornet, or accordion, joined by additional percussion, strings and voices provided by a rotating cast of characters.
This Hellblinki takes its raw pirate blues into the bloody public arena with careless abandon, and has been seen conquering entire unwary audiences: victims halt conversation and dance like mad drunken fools, joyously participating in the madness boiling over the boards.
Andrew: Drums, Guitar, Voclas, Accordion,
Valerie: Vocals, Accordion, Toy Paino, Melodica
Brad: Bass, Accordion, Percussion

Their official bio? “We’re friends and we’re a rock-n-roll outfit. It’s going to be amazing.”
Unofficially, there’s a lot more to Hey Neighbor! than one might suspect. The group includes many established local performers — notably bassist David Wayne Gay (Reigning Sound, Freakwater, Unholy Trio, Gone Wrongs, Dorchesters) and drummer Joshua Carpenter (Manband, The Victuals, Piedmont Charisma, On The Take, The Nein, The Makeout Room) — who have fused their diverse tastes into a suprisingly simple rock sound.
Joshua Carpenter: drums, vocals
David Wayne Gay: bass
Justin Rabuck: guitar, vocals
Chris Towe: guitar, vocals

“High Cotton hails from North Georgia, bringing original songs with uncommon words and mesmerizing melodies. Described as Americana with a twist, this band is powered by the passionate voice of Laura Monk and complimented by driving acoustic guitar, lyrical bass lines and an eclectic mix of percussion.”
Laura Monk: guitar, vocals
John Monk: bass
PJ Engeman: percussion
Dan Foster: lead guitar

This high-energy local bluegrass outfit is committed to creating original tunes in an old-time tradition.
Patrick McDougal: banjo, vocals
Ty Gilpin: mandolin, vocals
Shane Lail: guitar, vocals
Tim Gardner: fiddle, vocals
Mark Davis: bass, vocals

With themes ranging from rock to soul, blues to funk, Hollywood Red delivers their Funky Mountain Rock with a sound that is fresh yet familiar, progressive yet reflective, and completely original.
Photo by Christa Hamilton
Aaron “Woody” Wood: guitar and vocals,
Aaron Price: bass, vocals,
John “Spur” Spurrier: percussion
Hollywood Red, 2004

“We don’t have a banjo in the band,” explains mandolin player Michael Rathbone. “We never really thought we needed one. Cliff and Matt Wright are brothers, Ronnie West and Michael Rathbone are cousins. We just want to make music. We love playing music for benefits, doing something we love to try and help out people who need help is very gratifying. We play small venues and large, mostly in Haywood county.”
Michael Rathbone: mandolin
Cliff Wright: fiddle
Matthew Wright: bass
Ronnie West: guitar
Justin Trull: vocals

“Lively fiddle tunes & sweet country harmonies. Influenced by Carter Family and Skillet Lickers.”
Sarah Rubin: fiddle, mandolin
Leah Song: guitar
Karenell : banjo

Tasha Trasher: accordion
Sarahbrown: drums
Todd Weakley: guitar
Geography of Goodbyes
7inch
The Wait and Wonder, 2006

Formed in Boone, N.C., in 2004, Hope Massive have gone from a locally performing group of reggae-loving pals to an internationally touring dancehall-influenced band with a substantial reputation. They claim that “positive forward movement, rather than competition and instant success” is as much to credit for this as their music.
Richard Jones: vocals and percussion
Justin Butler: vocals, guitars and keys
Cullen West: vocals and guitar
Nik Hope: vocals and drums
Ben McPherron: bass

“Taking basic rock song structures and layering harmony and distinctive vocals with unexpected tweaks, the Humbuckers are a hard-to-categorize act. They re-formed in late May of 2008 mixing folk, rock, country and pop (creating) very unique sound.”
Rudy Colombo: vocals, guitar
Stacy Moore: guitar, vocals
Scott Benson: bass, vocals
Scott Murray: pedal steel
David Cohen: drums

“Hurray for the Riff Raff is a recent addition to the explosive New Orleans music scene. Birthed in the summer of 2007 and bred in the heat of the crescent city, Riff Raff carries a sound that has an innovative mixture of Appalachian old-time and minor-key waltzes. The arrangement of accordion, banjo, musical saw and upright bass weaves you through heartbreak and triumph.”
Alynda Lee: vocals, banjo
Walt McClements: accordion
Aubrey Freeman: upright bass
Shae Freeman: autoharp, musical saw, toy piano

“Cutting-edge Blues, R&B, Funk, Rockabilly and Swing all rolled into one.”
Hurricane Bob: guitar, keyboard, vocals
Joey “D’BassPlayer”: bass, percussion, vocals
“Junkfood Jonny”: drums, percussion, vocals

“After traveling for years as a street performer, Ian Thomas began playing clubs in New York City, where he recorded his debut album A Young Man’s Blues and his follow-up Live at Rockwood Music Hall. Since then, he has shared the stage with John Hammond, Cyril Neville, Corey Harris, The Wood Brothers, The Avett Brothers, Reverend Goat and Dr. John. He has also performed at festivals, including Bonnaroo, Pickathon and Bristol Rhythm & Roots Reunion. Performing both solo and with a band, Thomas draws on a variety of American roots influences, delivering his original compositions on guitar, harmonica and kazoo.”
Ian Thomas: vocals, guitar, harmonica & kazoo
• Year Formed: 2007 “The If You Wannas are an Asheville based rock band that dabbles in sarcasm, fun, heartbreak and the experimental.”
Ryan Cox: vocals, guitar
Trevor Stoia: bass, vocals
Jacob Baumann: drums
Gavin Conner: guitar, keyboard, vocals

In their own words, Ironhead is “as snotty as The Dead Boys with looks that could kill even Motley Crue, while still being as hard and heavy as a punch in the face by Motorhead’s ‘Iron Fist.’ These guys and gal have been bringin’ on the full throttle motor sleaze since 2003 and they ain’t about to stop now!”
Johnny Sikk: vocals, lead guitar
Angela Foxx: bass, vocals
Scotty P: guitar
Mark Metal: drums
Road Whore (2008)

Michael Merchant: vocals
Joey Cain: guitar
Patrick Fitzgerald: guitar
Fernando Ortega: bass
Chuck Blazer: drums

“Ranging from mellow alternative to heavy metal, containing mindless lyrics and feedback, grunge influence and severe stage presence.”
Nik: guitar, vocals
Ryan: drums

“We write songs about awkward teenage experiences, naughty adult things, trashy kittens and other things that we think about.”
David Cleg: guitar, pipes
Bill Maltba: bass, bam bam machine
Jason Burke: “skins”

“After fronting a number of folk, rock and country bands from New York through California and into Texas, James Austin has settled down in the East Tennessee Hills and launched a solo career. His debut solo album, “Love, Hate And Other Nonsense,” has enjoyed widespread airplay in The U.K., Europe and Australia as well as a number of stations across the U.S. His November 2008 release, “Rounders & Rogues,” is set for a radio promotions blitz soon to be followed by a North and Southeast tour to promote it.”
James Austin - acoustic guitar

James E. Barr: guitar

Violinist Jamie Laval and mandolinist Ashley Broder perform the traditional Celtic music of Ireland, Scotland, Brittany, and Québec with hints of classical refinement and ethnic music from around the world.
Jamie Laval: fiddle
Ashley Broder: mandolin, fiddle, cello

Jamie McLean: guitar,vocals
Derek Layes: bass
Jon Solo: keyboards, vocals
Brian Griffin: drums, vocals
This Time Around, 2005
American Heartache, 2007

Jar-e: vocal, fender rhodes
Dave Mack: bass
Matt Smith: guitar and lap steel
Ian Cunningham: drums and percusion
Scott Mills: tenor saxaphone
Simon Goldberg: trumpet
Heartache, 2004, ExoticRecordings
War Songs and the Muse, 2007, ExoticRecordings

“I set out in early 2008 to write and play my songs (folk, country, blues, singer-songwriter stuff). I am living in Atlanta and making my way back to Asheville once or twice a month to play my songs and crash on couches.”
Jason C. Waller: guitar

Formerly of groups Crystal Tears and Mental Overload, Lusky is now a solo acoustic performer who performs a mix of original songs and classic rock and country.
Jason Lusky: guitar, vocals

Having written for and performed with two different rock/jazz/jam ensembles over the past 6 years, Martin boasts a deep catalog of original songs. Now performing solo, hecreates a full band sound using synthesizers, loops, and dynamic electric guitar washes.
Jason Ross Martin: synthesizer, guitars, vocals

From the band: “A dynamic group of young men creating a new style of upbeat Jazz/Fusion music.”
Photo by Wendy Newman
Jordan Arnold: percussion
Joseph Hamilton: saxophones
Julian Samahl: saxophones
Will Newman: keyboard and effects
James Hamilton: guitar and bass

Jeff Johansson is a singer/songwriter and multi-instrumentalist.
Jeff Johansson: guitar, piano, percussion, vocals
This Delicate Wall, 2007

“I’m Jeff Riddle. I’ve been playing punk-rock music in a band called Steve Hit Mike for, like, ten years now. Now I’m trying to have even more fun by myself. I’m just starting to try out this acoustic thing. It’s different. I meet gypsies and hobos and play music with them. I sing about real life, not bullshit romantic ideas of materialistic cliches and glamor, or your recent breakup with your girlfriend at the mall. However, I do offer an honest perspective on society and life around us. I record, produce, and distribute my own music. Just check out the music and see what you think.”
Jeff Riddle: whiskey, beards, guitars & vocals

In his latest release, Santiago writes about “the need we all share—the need to expand our life experiences. To give ourselves the chance to become more than what we are or might imagine for ourselves. The need to open up to each other, embrace the vulnerable along the great adventure called life. Easier said than done.” Santiago examimes bad relationships, bitter emotions and the 21st century, “a time when the people, jobs, and cities we live in can control us.”
Jeff Santiago: vocals and guitars
Rozinante
A Road to Anywhere

Jen and the Juice’s CD, Meet the Hooligans of Bohemian, made WNCW’s Best 100 Albums for 2006.
Jenny Greer: lead vocals, guitar
Joe Buzzelli: drums, percussion
Clint Weninegar: bass, back-up vocals
Michael J. Libramento: guitar
Meet the Hooligans of Bohemia, 2006

“Andrews picked up a guitar for the first time when she was 19; armed with only three chords, she had all she needed to create deep and soulful songs with lonesome melodies and haunting lyrics. In 2003, she teamed up with Sam Quinn to create the everybodyfields and the face of Tennessee’s roots music would never be the same. In her new solo project, fans can expect Andrews signature alt-country, roots-rock sound to deliver and grow. Her songs will warm you like a winter quilt – or chill you to the bone. Either way, when you hear Andrews sing, you will remember it.”
Jill Andrews: vox, rhythm guitar
Josh Oliver : harmony, keys
Robert Richards: lead guitar
Vince Ilagan: bass
Chad Melton: drums

Drawing inspiration from the likes of Sam Cooke, D’ Angelo and John Prine, Jim Seem claims to have an “obsession and absolute faithfulness to detail” in his songwriting.
Jim Seem: vocals, guitar

“Jim Seem and Melissa Hyman play acoustic bedroom-pop flavored with dashes of hip-hop, motown and folk. You may be surprised at the lush harmonies and tremendous energy of this newly formed duo. Mixing it up is what these two seem to do best, blending unexpected elements into an undeniably appealing sound.”
Jim Seem: guitar, vocals
Melissa Hyman: cello, vocals

Since being featured on NPR in 2001, JJ Grey & Mofro have performed at Bonnaroo, The Austin City Limits Festival and The New Orleans Jazz & Heritage Festival, and opened for Widespread Panic, Ben Harper, Galactic, B.B. King and Jeff Beck.
JJ Grey: vocals, guitar, keyboards, harmonica
Daryl Hance: guitar
George Sluppick: drums
Adam Scone: organ
Blackwater, 2001
Lochloosa, 2004
Country Ghetto, 2006, Alligator

“Joanie Peditto is a soulful singer/songwriter creating melodic poetry set to acoustic hip-hop and reggae rhythms. Spiritual in nature, this music is created to express love, unity and creativity.”
Joanie Peditto: lyrics, guitar

“The John Douglas Company has defined their style with a heavy sound that has been dubbed ‘Mountain Grunge,’ which retains eclectic roots from jazz, classical music, metal and folk. The band started strong in Asheville’s music scene with a studio in the River Arts District which they opened up as a musician’s cooperative and an underground performance venue. The ‘Monastery’ defined their audience and place in the local scene as well as supported other local bands.”
Matthew “Skeeter” Rourk: guitar, vocals
Matt Lance: bass
Tom Gibson: drums

Joltwagon’s self-titled debut CD was reviewed in the Xpress 2007 CD round up “Sound Investment.”
David Bradshaw: vocals, guitars, mandolin, lap steel, pedal steel
Dalton Stansbury: vocals, banjo, fiddle, synthesizer
Greg Sipes: bass
Cory Maples: drums
Joltwagon, 2007

Jonah Michea Judy has been writing and performing music in and around Asheville (with the occasional sprint to the Southwest and the Northeast) since April of 2003. His debut album, Milk Sink, was self-released in 2007.
Jonah Michea Judy: guitar and vocals
Milk Sink (2007)

In their own words, Jonathan Ammons & The Electric Ghost Collective is “part of a larger musical commune based around a ubiquitous backing band entitled The Electric Ghost Collective. In this act, Jonathan Ammons belts his mantra of cigarettes, booze, and heartache over the top of a roots-rock/alt-country idiom.”
In 2008, the band was profiled in the MountainX.com local-music blog, Listening Party.
Jonathan Ammons: lead vocals
Andy Black: piano, vocals
Zach John Blew: acoustic guitar, vocals
Kevin Emmert: drums
Ben Lambert: electric guitar
Mike Shannon: bass

From the performer: “Mixing a traditional Caribbean instrument with a contemporary jazz attitude, Jonathan Scales’ music pushes the steel pan into the realms of funk, rock, and even bluegrass while still digging into the roots of traditional world sounds such as reggae and Latin.”
Scales also performs with a group, the Fourchestra.
Jonathan Scales: steel drums
Ryan Lassiter: drums
Michael Libramento: guitar
Jeremy Downing: bass

“Jon Hebert performs original blues, folk and roots music, keeping tabs on the music of the Louisiana bayou.”
Jon Hebert: guitar

“The Trio, led by guitarist Jon Stickley, provides a musical experience that is rooted in the bluegrass tradition, but is free to go wherever the music leads, bridging the gap between Django, Miles and Jimmy Martin.”
Jon Stickley: guitar, mandolin
Palmyra Romeo: bass
Joe Troop: violin

“Singer, guitarist and percussionist of Yo Mama’s Big Fat Booty Band, Josh Phillips has recently left the Booty Band in pursuit of his new project, Josh Phillips Folk Festival. While the music seamlessly bounces between folk, world, reggae and R&B, the common theme of the music is heart felt lyrics with a strong focus on the song itself. Josh Phillips began the Folk Festival as a recording project in June of 2007, made up of members of Yo Mama’s Big Fat Booty Band, STRUT, Trainwreks, and Laura Reed and Deep Pocket. Also helping make the CD a true Folk Festival, Justin Perkins of Toubab Krewe, Bryon McMurray of Acoustic Syndicate, Nik Hope of Hope Massive, Woody Wood of the Blue Rags, and many other local musicians came through the studio to lay down a piece to the album.”
Josh Phillips: guitar, vocals
Rob Russell: guitar, vocals
Sean Donnelly: keys, vocals
Eli Cramer: bass
Casey Cramer: guitar
Nik Hope: drums
Ben Hovey : trumpet
Greg Hollowell : saxophone
Derrick Johnson: trombone
Suzanna Baum: vocals

Joshua Stack has been playing and writing songs since middle school. However, it wasn’t until 2000 when he met Eric Martinez that he was able to document his art. “I only wanted to get the stuff down before I was hit by a bus,” says Stack. “Turns out, I just kept writing and Eric kept playing and recording. Before you knew it we were in a band.”
That band, CubanStack became a fixture in DC and Northen Virginia clubs. The group performed with a number of notable acts (George Porter, Jr., Dirty Dozen Brass Band, Bloodkin) and Stack won a Jammy in 2002 for his community service working with Widespread Panic and his grassroots non profit, Panic Fans for Food.
In 2005, members of CubanStack split and Stack took his efforts to Austin, Texas for what he deems music camp. Stack moved to Asheville in January 2007.
Joshua Stack: guitar, vocals, songwriter, smart-ass remarks

Matthew Mayes: vocals, guitar,guijo
John Felty: vocals, guitar
Sanders Brightwell: bass guitar
Steve Trismen: vocals, fiddle
Noel Felty: vocals, drums
Cemeteries & Junkyards, 1991 Autonomous
-Wade 1993 Autonomous
-Lucky Day 1995 Autonomous
Ghost Dance, Autonomous, 1997
Here Be Dragons, Road Runner, 1998
JC Live, Coyote Recordings, 2000
Waxing Moon, Coyote Recordings, 2003
The Hillary Step, Coyote Recordings, 2005
Jammer at the Jammer (DVD), Coyote Recordings, 2005
Still Jamming (DVD), Coyote Recordings, 2006

“Four guys from all over the U.S. came together in Asheville in the name of punk-rock and good times. We play fast, positive punk-rock. We released a full length record on Dead End Records in ‘08 and we have a new 7” EP coming out on They Shoot Records in the fall of ‘08.”
Steve Shell: vocals
Dave Reinhardt: drums
Matt Evans: guitar
Jordan Luff: bass

Scott Hinkle plays “Blueridge Martini” music — Americana with heart and sophistication. His CD by the same name was produced by Asheville’s Chris Rosser. Scott is a Flatrock Musci Festival finalist for songwriting and is in the 2008 finals of the Telluride Troubadour songwriter’s contest.

“Country music influenced by the country greats like George Jones, Patsy Cline, Patty Loveless and Merle Haggard. Keep’n It Country is a featured band at Hendersonville Street Dance on Monday nights.”
Courtney Arnold: vocals
Jamie Rochester: guitar, vocals
Boyce Backer: bass, guitar, vocals
Brian Massey: drums
Jimmy Sinclair: keyboard, vocals
Doug Gilliam: guitar, banjo

Kellin Watson was selected as a finalist to open for country star Sara Evans’ 2007 Asheville, N.C. show. She’s a featured performer in the film Studio South.
Kellin Watson: acoustic guitar, vocals.
Aaron Price: Keys, Organs, Vocals
Jim Arendale: Drums, Percussion, Vocals
Matt Smith: Pedal Steel
Jake Wolf: Bass
Paper Bird, 2003

A party and covers band, with some original songs.
Jeffrey Thomas: vocals, guitar
Mike Newman: drums, vocals
Kevin Reese: guitar, vocals
Jacob Pegg: bass guitar, vocals

“A progressive rock/punk songwriter crawling from the wreckage with enough grace to make Tom Waits and Paul Westerberg proud.” —- Georgia Music Magazine
Ken Will Morton

“Kevin Scanlon has toured the eastern seaboard playing with a diverse group of artists. He has performed with a professional vocal ensemble, with bluegrass groups, folk/rock groups and with an Irish music band, playing traditional and modern Irish punk. His art, having been tempered by life experience, has come into its own. Scanlon’s original sound is defined and polished and now all that remains is to spread his message to the public.”
Kevin Scanlon: acoustic guitar, banjo, harmonica, vocals
Matthew Whittman: acoustic guitar, backing vocals

Kimberly’s CD, Listen, found its way to a variety of MTV shows, including Made and Backstage Pass.
Kimberly Summer: singer, songwriter, guitar
A Dreamer’s Heart (EP), 2002
Listen, 2005

“Kings of Prussia was formed by Javi, Tommy and Josh in Miami, FL. Kings of Prussia has been living in Asheville for two years with Graham and Tim joining in on guitar and bass. Blending beautiful melodies with powerful driving rock/metal and adding electronics into the mix, KOP has quickly expanded their audience. Their live performances are extremely visual, lively, energetic, experimental and in your face stage.”
Josh: guitar
Tommy: drums
Javi: electronics
Graham: guitar
Tim: bass

“Kinjac is the moniker of Asheville native and WNC-based musician and philosophy student Michael O’Shea. After a short stint in the Chapel Hill, N.C. music scene as a drummer, he returned to WNC to expand his musical repertoire beyond percussion to include all aspects of music, from writing to recording to producing to mastering. Since becoming a solo-act, Kinjac has taken two full-length solo albums from conception to completion in his small, secluded studio. Blending minimalist melodies with a din of digitized percussion, Kinjac’s music is a unique synthesis of the digital and organic that manages to fall outside the bounds of most categorizations.”
Michael O’Shea: instrumentalist

According to Charleston City Paper, Klarcnova sounds, “sort of like the Band of Gypsys doing a soundcheck with Scofield.”
Andy John: guitar
Shayne Heather: bass
Robin Tolleson: drums
Klarcnova, 1999

“Klustafuk met in the APD drunk tank in the summer of 2008. Klustafuk engages in all things that make life worth living: drinking, smoking, womanizing, rock ‘n’ roll, hollering, and of course, drinking. Their shows are spectacles of irresponsibility and their songs revel in the Klustafuk Lifestyle.”
Johnny Bo Atkins: guitar, vocals
Murderhorn Monroe: bass, vocals

Chris Leyland: vocals, guitar
Konrad Gorski: bass, guitar
Justin Preston: drums, percussion

Kontagus is a cover band “inspired by” groups such as NickelBack, Saliva, Def Leppard, Big and Rich, Rascal Flatts, ShineDown, Edwin McCain, and Guns N’ Roses.
Marc Stump: lead vocals and rhythm guitar
Chad Robinson: lead guitar and back-up vocals
Willie McLaughlin: bass guitar
Robby Miquel: drums and back-up vocals

Garage-influenced indie folk.
Nick Kovacs: guitar, vocals
Andy Woodward: drums
Chris Lee-Bass: guitars, vocals

Kristin’s songs encompass a variety of genres, including folk, bluegrass, and acoustic rock, and pay homage to her Appalachian roots. Formerly, she was half of the folk-duo Kristin and Keturah. She now performs solo. A veteran of the Western North Carolina music scene, Kristin has performed at venues such as The Orange Peel, Hannah Flanagan’s, The Gypsy Moon, The Root Bar, and Jordan Street Cafe. She has also performed at regional festivals including Bele Chere, Sistahs On Stage, and OrganicFest. Her music is frequently featured on WNCW FM. Kristin holds a Voice Performance Degree from UNC-Asheville. In addition to her singer-songwriter career, Kristin is the Choral Director at Asheville Middle School and frequently appears in regional opera and musical theater productions.
Kristin Mills: singer-songwriter, guitar, piano
Kristin Mills, 1999
Across The Blue Ridge Mountains, 2007

KroniK represents over a century of combined musical experience.
Jimmy Harvest: lead guitar, background vocals
Dave Harvest: bass guitar, background vocals, keyboards
Craig St. John: second fiddle, lead vocals, keyboards
Dave Paul Stroud: sound engineer
Thomas Boza: drums

“Kung Fu Dynamite infuses their sound with intense energy and power, pushing the envelope by cross-pollenating all genres of modern American music. With their roots steeped in rock, blues, funk and jazz, the band has taken carefully-crafted song structure and combined it with free-form improvisation, mixed time signatures and quirky lyrics that strive to keep the dynamics of their music fresh and unpredictable. Blasting their progressive rock across the globe, Kung Fu Dynamite has crafted an epic sound with funky back-beats and vivacious horn lines. Soulful lyrics create vivid imagery while the instrumentation develops dark overtones within the sound. No matter where Kung Fu Dynamite takes the stage, it’s sure to be an explosive good time!”
Grant DaSantos: lead vocals, rhythm guitar
Kelly Hannah : vocals, lead guitar
Sean McFee: bass
Paul Juhl tenor saxophone
Cliff Adair: trumpet
Paul Handsman: drums, percussion

Miles: drums, keyboard, background vocals
Paul: lead guitar, piano, organ, bass, background vocals
Chad: guitar, vocals, bass, organ
Christian: bass

This five-piece “event and all-occasion” band has been active in the area for a decade.
Amy LaDeroute: vocals
Ken LaDeroute: guitar
Klee Liles: bass
Glenn Hubbard: keyboards
Wes Powers: drums

Jay Goodsen: lead vocals
Allen Flynn: lead guitar, backing vocals
Mike Hutchins: drums
Chris Burnisky: bass guitar
The Falls

Thaw recently completed Tokyo Belle, his first collaboration with five-time Grammy award winning producer Bruce Swedien. His new album brings in guest performers such as: Tower of Power vocalist Brent Carter; Crusaders vocalist Randie Paul; Stepanie’s Id vocalist Stephanie Morgan; and Menage.
Lane Thaw: vocals, guitar, percussion

“Large Lewis focuses on creating original, classic rock tunes with a ‘70s sound. As a band, Large Lewis draws on influences from classic rock greats such as Jimi Hendrix, The Beatles and The Who, as well as progressive giants Nektar, Rush and Frank Zappa. The band’s large, loud sound will certainly grab attention. They hope to expand the possibilities of rock in an original manner while continuing to honor the sounds of the past.”
Warren Hawk: bass guitar, acoustic guitar, vocals
Toby Weaver: lead rhythm guitars, vocals
Jason Dunn: drums, percussion
Kevin Harvey: keyboards, vocals

“Last Rezort formed as a result of friends getting together and hanging out. We eventually learned that each of us had a different musical talent, so we started practicing. As time went on, we started playing at various venues such as parties, fundraisers, competitions and the occasional bar. We love our music and love playing to any size crowd.”
Brian Mitchell: vocals
Bud Jones: bass guitar
Shawn Forest: percussion
Cody Teesatuskee: guitar

“I specialize in love and murder ballads, ghost stories and done-somebody-wrong songs. I love the blues, rock and roll, and country music,” writes Blackley on her MySpace page. “And you can tell it when you listen to my records.”
Laura Blackley’s 2007 CD Love and Monsters was reviewed in Xpress 2007 CD round-up “Sound Investment.”
Laura Blackley: vocals, guitar
Intentions of Mine, 2000
When A Woman…, 2002
Liquid Courage, 2004
Love and Monsters, 2008

Throughout their career Laura Reed and her band have shared the stage with Sam Bush, The Blue Rags, Yo Mama’s Big Fat Booty Band, and the legendary Sydney Barnes.
Laura Reed: vocals, rhythm guitar, harmonica, percussion
Ryan Burns: keyboards, organ
Barret Helms: drums
Ben Didelot: bass

Lee Whitaker: singer, songwriter, guitar, drums, keyboards
Terry Davis: guitar, vocals
Dean Landreth: keyboards, vocals
Kirk McWilliams: drums, vocals
David Owenby: bass, vocals
Lee Whitaker

This five-piece band plays original material with a decidedly rock-oriented, Americana-drenched style.
Leigh Glass: lead vocals, guitar, songwriter
Warren Hawk: bass
Dwayne Dodson: vocals, lead guitar
Patrick Wells: drums
Jeremy Glass: vocals

Lewis blends an early ‘80’s pop and new wave sound with modern rock originals. With hypnotic keyboard lines, emotive vocals and driving drums, they may simultaneously bring to mind Radiohead, The Cars and Jeff Buckley. Their full length album “Failed to Feel” is slated for release in fall 2007.
Matt Call: vocals, guitar
Jarrod Perkins: drums, vocals
Tyler Kneisley: keyboard, vocals
Jeff Hinkle: bass

In their own words, Locomotive Pie plays “bluesy, Americana-rock,” with all four members writing original songs for the band.
Mark Appleford: guitars, harmonicas, vocals
Seth Shumaker: guitar, mandolin, vocals
Dave Erickson: electric bass
Casey Dean: drums

“The Lone Derangers’ eclectic repertoire embraces Americana and folk/rock. They are noted for great harmonies and unique arrangements. Coming together from all walks of life, each band member brings a unique twist to the songs they perform.”
Doug Dacey: vocals, guitar
Andy Costine: vocals, guitar
Jay Lichty: Vocals, banjo, mandolin
Stan Halbkat: bass
Charles Wolff: vocals, drums

“Lorraine Conard is a singer/songwriter performing progressive Americana music, which covers a range from bluesy-folk, to Southern rock, bluegrass, ballads and a wee bit of jazz.”
Lorraine Conard: vocals, guitar

Kathleen and Brian met in 1988 at Brevard College. After moving separately to Nashville, they started dating and got married in 1992. Kathleen played under the name Kathleen Lewis with a fantastic backup band, making an album and doing shows at the Bluebird Cafe and other local Nashville clubs. After Kathleen turned down a management deal in 1997, she and Brian moved back North Carolina and settled in Asheville in 1999. Together, they began Loveslave in 2000, which plays clubs, coffeehouses, colleges, churches and other venues.
Kathleen Howell: Vocals, Guitar, Keyboard
Brian Howell: Vocals, Percussion

Mixing electric wail and old-school stomp, the Lowdown Travelers are one of the area’s most memorable blues groups.
Rice Miller: harp
Cary Fridley: bass
Razor Sharp: guitar
Billy Stepney: drums

Lo-Fi Breakdown has shared the stage with such acts as the great Del McCoury Band, mandolin master Sam Bush, songster Robert Earl Keen, and fiddle legend Jim Shumate.
John Cloyd Miller: mandolin
Garth Henry Schwellenbach: banjo
Ian ‘Bean’ McNeil: guitar
Natalya Weinstein: fiddle
Bradford Hutchison: bass

Mabrak Sound System is the work of a reggae DJ from North Jersey, who now lives in Asheville, N.C., spinning mainly conscience reggae music, new and old, mostly newer up to date stuff. Some hip hop and world music as well depending on the setting. 45’s and LP records used (no cds or computers).
Chris Chalice: DJ

“MachineFunk, a Tribute to Widespread Panic, has toured the southeast for the last three years covering the music of Widespread Panic. Night after night, their set lists are never the same and feature over 120 songs from their repertoire. They also cover songs from Led Zeppelin, Black Sabbath, Talking Heads and many others. Machine Funk has shared the stage with musicians from The Dirty Dozen Brass Band, North Mississippi Allstars and Jojo Herman of Widespread Panic. Each show is a musical journey that can’t be explained, only experienced.”
Sean Mills: guitar, vocals
Mike Brown: bass, vocals
Greg Buie: keyboard
Parker Dewitt: percussion, vocals
Kyle Hurst: guitar, vocals
Chris Hall: drums

Uke-abilly. Retro-Pop. Rock ‘n’ Roll.
Mad Tea Party brews up roots music, rockabilly and rock ‘n’ roll to create a fresh and intoxicating sound. The band’s amusing and sharp approach to an evolved brand of music makes them one-of-a-kind. Their offbeat sense of humor and irony appeals to savvy listeners who appreciate Mad Tea Party’s cleverness and cheerful energy.
The All Music Guide calls it “Americana for the modern generation. Shreds of ragtime, tatters of R&B, touches of blues, bursts of rockabilly, slivers of C&W, tinges of hillbilly hoe-downs, lashes of pop, snippets of rock, a feathering of folk, and even…the hurdy-gurdy sound of the circus.”
Whether performing in front of a festival audience or the original New York City underground punk scene, this band carries its weight. Their exotic sound will transport audiences to a different time and place – both traditional and progressive, both comfortable and foreign.
Ami Worthen: vocals, ukulele
Jason Krekel: vocals, guitar, fiddle, snare, hi-hat
73% Post-Consumer Novelty, 2004, Whose That Records
Flying Saucers, 2005, Whose That Records
Big Top, Soda Pop, 2006, Whose That Records

Currently, Makia Groove is a three piece ‘World/Funk/Fusion’ band consisting of Bass, Drums and Guitar. Multi-instrumentalist’s, incorporating the Electronic Wind Instrument, Loop Pedals, Keyboards and Latin Perc. Formed in 1999 in Kingsport TN. The band started as a 4 piece, now Billy Owens and Luke Wood are the only two original members. In 2006 Minnesota native—Dan Pederson joined Makia Groove. They will continue to evolve as living things do…
Luke Wood: Guitar
Dan Pederson: Bass
Billy Owens: Drums

Rolling Stone magazine described Malcolm Holcomb’s music as, “Haunted country, acoustic blues and rugged folk all meet [here]...” He recorded the song “The Old Woman Taught Wisdom” for the upcoming Sony/Emergent release Song Of America, sponsored by National History Day. His album A Hundred Lies received a four star review in Rolling Stone by music editor David Fricke, and received accolades from USA Today, No Depression, and Dirty Linen. He has toured with Shelby Lynne and opened for such notable artists as Merle Haggard, Richard Thompson, John Hammond, Leon Russell and Wilco. Maura O’Connell cut two of Holcomb’s songs on her album Walls and Windows.
Malcolm Holcomb: singer, songwriter, guitar
Trademark, 1985, Upstream Records
A Far Cry From Here, 1994, Purple Girl Music
A Hundred Lies, 1999, Geffen Records
Another Wisdom, 2003, Southbound Records
I Never Heard You Knockin’ , 2005, Self-Produced
Not Forgotten, 2006, Gypsy Eyes Music

“Manifest Frequency’s (a.k.a. Dawn Cook) music is a trip-hypnotic fusion of classic-rock melodies with bass driven hooks and ethereal vocals. The debut album, ‘Deconstructing Frequency’ takes you from vulnerable introspection to courageous defiance while the coolest of grooves keeps you hanging on until the last note.”
Dawn Cook: vocals, guitar, bass, drums

Marsupial has shared the stage with venerable acts such as Schleigho, Bloodkin, Hobex, Strut, Deep Blue Sun, and Melvin Seals.
Ian Reardon: guitar, vocals
Forrest Smith: guitar
Brad Mehder: bass
Chris Carter: drums, vocals
J. Ferris: live and studio engineer
Dancing About Architecture, 2004
Moby Fleck, 2006

“As a lead guitar player with Asheville’s own Everyman Jones and the Stick People, I shared stages with Hootie and the Blowfish, Craven Melon and the Blue Dogs. As a solo artist I’ve had the opportunity to play with some of my favorite songwriters: Kevn Kinney and Malcom Holcomb, to name a couple. I believe that as a writer, the most important audience to please is your own inner muse. We write songs because we need to. If others like them, man that just makes it all the better. I hope you enjoy my music and tell a friend. Hopefully, I’ll see you in the near future!”
Matt Corbin: singer/songwriter, guitar

“Rooted in old school south-side Chicago blues of the 1950’s with musical detours that venture into rockabilly, jump blues and 50’s rock genres. Matt Walsh is influenced by bluesmen like Robert Nighthawk, Howlin’ Wolf, Muddy Waters, Robert Lockwood Jr., Eddie Taylor, Elmore James and Johnny Guitar Watson. His wailing, singing, raw distorted guitar tone, coupled with his soulful vocals have lead to praise in numerous national music publications.”
Matt Walsh: vocals, guitar
Matt Hill: bass
Chuck Cotton: drums

“Recording artist Matt Williams has released four original albums in his efforts to reach listeners with his world-conscious folk, rock, jazz and pop sounds. Using the art of live loop-sampling, Matt layers the colors of his string instruments along with various percussion elements to create surprising live performances. Above this symphony of sound rises a tenor voice, honest and intimate, yet soulful at all the right moments.”
Matt Williams: guitar, violin, mandolin, lap-steel, percussion, vocals

CDs The Honey’s On The Porch and Miss Conduct were both voted in the top 100 by NPR listeners.
Menage’s Tell Me was reviewed in the Xpress 2007 CD round up “Sound Investment.”
Sarah McDonald: vocals, guitar, banjo
Mary Ellen Bush: vocals, bass
Matt Kinne: electric guitar
Matthew Roberts: drums
The Honey’s On The Porch
Miss Conduct
Tell Me, 2007

“Sounds Like that scene in gypsy travelogue ‘Latcho Drom’ where Nancy Sinatra sings with Taraf de Haïdouks.”
Onça O’Leary: dance and voice
August Hoerr: accordion and voice
Liam Niblack: bouzouki, percussion
Ryan Oslance: kit percussion
Shane Perlowin: guitar

“Michael Burgin started performing political songs on an acoustic guitar. The band slowly evolved from friends [attending] live shows. Recording will begin on the first album with a full band in 2009.”
Michael Burgin - Guitar, vocals
Seth Lee - Drums
Clinton Wetherill - Guitar
Aaron Parker - Bass
“Michael Reno Harrell is an award winning songwriter, as well as a veteran storyteller and entertainer, and he’s from the Southern Appalachian Mountains. One could compare Michael’s performances to his granddaddy’s pocket knife, well warn and familiar feeling, but razor sharp and with a point. Michael’s stories and songs have been described as ‘Appalachian grit and wit’ but, as his writing shows, Michael’s awareness is much broader than the bounds of his boyhood home or even the Southern Experience.”
Michael Reno Harrell: guitar, vocals

“Millie and the Sirs are a three-piece band attending college at UNCA. Will is originally from Boone and is majoring in music. Larry is originally from Burlington and is majoring in Anthropology. Millie is originally from Asheville and is also majoring in music. As a solo musician, Millie has played at The Grey Eagle, Tressa’s, Barley’s Taproom and many other places in Asheville.”
Millie Palmer: vocals, guitar, songwriting
Will Beasley: bass
Larry Rogers: drums

This heavy rock and groove outfit brings high energy to their intense shows as they tour around the South.
D.B. Rogers: lead guitar, vocals
Ant Brown: rhythm guitar, vocals.
Z. Josh Shook: bass
F.W. Hensley, 2nd: drums

From the band: “Mirth Remedy is a group of musicians that come together to create an amazing array of music. They always make sure to convey a positive message through their lyrics and music.”
Jonathan Ellington: lead guitar, vocals
Andrew Ellington: drums
Craig Johnson: bass, backing vocals

Amos Jackson: keyboards and vocals

Chris Holleman: banjo, guitar, accordion, and electric banjo
Pearl Mueller: fiddle
Willie Repoley: mandolin, vocals, guitar, whistle, bodhran and cookie sheet
Of Both Worlds, 2004
Bound for Carolina, 2007

The music of Modern Weighves ranges “between mellow-alternative and heavy-metal.”
Nik: guitar, drums, vocals & bass

Describing themselves as “alternative/indie with a touch of progressive,” Jake Gardner and Dave Treadway began playing music together as teenagers, but only decided to make a serious effort to form a band three years ago. The group added Andy Balla (formerly of local band Senatobia) in 2006, and have since recorded a number of demos. They have also been featured on URTV’s local underground music show Mount Dungeon.
Jake Gardner: bass
Andrew Balla: drums
David Treadway: guitar

Performing since the late 1980s with the Three Rivers Band and Zephyr, Woodard began her solo venture in 2003. She performs in Western North Carolina and Southwest Virginia, and is currently working on her next CD.
Monica Woodard: singer/songwriter, acoustic guitar

Roast: guitars, vocals
SkeetR: bass, vocals
Devilicious: movements, sounds, vocals
Bacon: ill bashing
Monsterbation
The Other Pink Meat, 2001

Montford Park’s music is highly improvisational in nature, and takes an interesting approach, combining jazz, blues, fusion and rock.
Dave Houck: bass
Jonathan Pearlman: guitar
Jaron Pearlman: drums

Trevor Terndrup: lead vocals, guitar
Spencer Thomson: guitar
Tommy Putnam: bass
Wes Bailey: keys
Tyler Ritter: drums

“Very intense, extremely remarkable, Mother/Father writes, performs and delivers a brand of post-punk with a twist of 60’s soul and 80’s soulgaze. Mother/Father’s rock and roll is theirs and their scene is loyal. Live shows (are) built on intoxicating high energy. The band’s identity is dark; their music flirts with a color not often found in a standard rock format.”
James Robert Farmer : lead vocals, guitar
Willie Forreal: guitar
David Miller: drums
Matt McCord: bass

“Motorskils creates a fusion of 70s funk and New York style hip-hop. Veteran to the scene, M.C. Huggs spits razor-sharp street poetry over slammin’ organic grooves provided by a live band.”
M.C. Huggs: vocals
Josh Vaughan: guitar
Jeremy Greene: drums
Mike Steininger: keyboards
Gus Adams: bass

We call our music “urban Americana.” We’ve taken elements of rock, soul, blues, country, and gospel, thrown ‘em all into the pot and turned up the heat. We’re all experienced players with long, complicated histories. Right now, half our material is original, but with three songwriters, we hope it won’t be long before we’re doing all-original shows.
Ray Soave: guitar, banjo, vocals
Roanne Welsh: guitar, vocals
Larry Weaver: pedal steel guitar
Dave Erickson: bass, vocals
Eric Schweitzer: drums

Mountain Faith was founded for the purpose of using Bluegrass music to spread the gospel of Jesus Christ. Our name was chosen because of our regional heritage of the Blue Ridge Mountains and because of our spiritual heritage based upon Mt. Calvary.
Mountain Faith won the 2006 Battle of the Bluegrass Bands competition in Andrews, N.C. at the Cherokee Jamboree Music Hall.
Samuel Ray McMahan: bass fiddle and chief of the group
Summer McMahan: fiddle, mandolin, vocals
Brayden McMahan: banjo, fiddle, vocals
John Robert Morgan: guitar, vocals
Jed Mobley: mandolin
Passin’ It On
Fishers of Men

“Neo-jazz-soul band backing spoken-word artist BLove. Plus, vocal stylings by AlisaKuumba “
BLove : spoken-word, percussionist
AlisaKuumba: vocals, percussionist
David Martin: bass, guitar
Austin Hill : keyboards
Jason Smith: saxophone
Dan Davis: drums

Moving Temple performs “electro-acoustic and ghetto-tech [music].” They are “building a local and regional following by reaching out to new artists on the fringe of new electo-based music.”
ADAskew: guitar
Michael Lott- Drums: SPD20
Crick Nice: bass
Lauren Jones, along with her favorite local musicians, has been singing her way across the country from World Class Resorts along the waters of the Caribbean to the Smoky Mountains of North Carolina.
Lauren Jones: vocals
Tom Leiner: guitar, vocals
Rob Geisler: bass
Jim Arrendell: drums, vocals

Of the group, A-Tone Music says, “Alternately pensive, abrasive, romantic, quiet, melancholy, and raucous, My Fifty-Five delivers a gorgeous debut. Joti Marra’s writing, guitar playing, and singing are mesmerizing, while Tyler Ramsey (bass, keyboard, lap steel, piano) and Brian Landrum (drums, etc.) expertly offer simpatico sounds. This is smart music of emotional depth.”
Joti Marra: vocals, guitar
Tyler Ramsey: bass, keyboard, piano, slide guitar
Brian Landrum: drums, electric auto harp
My Fifty-Five, 2006

“The Nameless was formed in 2002 by founding members Chris Hudson and Matt Hancock. The current members in The Nameless have recently played with Night Moves, Creature Feature, Tubring, Same as Sunday, Orange Sky, Inbryo, Headsnap (among others). Open your ears, world here we come!”
K.C. Rollins: vocals
Matt Hancock: guitar
Jonathon Ford: rhythm guitar
Eric Reid: bass
Chris Hudson: drums

“The New Cosmic Band features members of Silver Machine with support from an all-star cast of musicians and DJs from the local psychedelic scene in Asheville. This lineup is ever-evolving and maintains the allure and the energy of a new artistic endeavor regardless of the venue or specific event. The common theme that prevails is a sense of adventure and brotherhood in the Asheville community and the desire to participate in the shift that’s occurring locally.”
David Lee: guitar, live looping
Plus featured guest artists

From the band: “The Nightcrawlers are 4-piece group with over 100 years of experience.”
Johnny House: guitar, vocals
Barry Duke: saxophone, vocals
Danny Eller: drums
Chris McCall: bass, acoustic, slide and resonator guitars and mandolin

“Melodic insomnia for shut-ins. Night’s Bright Colors has been mostly a recording project/community-building exercise, releasing all material free online and doing mostly charity/benefit shows. The final NBC album, Patient Notes, is slated to be released in early 2010.”
Jason Smith: vocals, keys, guitar
James Richards: bass, vocals, guitar
Maria Potapov: violin
Addison Brown: drums
Adam 0.5: keys, percussion, drums

Stockdale is a solo performer who has been influenced by the likes of Bradley Nowell, Conor Oberst, Bob Dylan and Fat Mike.
Noah Stockdale

“The bands style has come from influences ranging from Converge to Tom Waits to Refused. We are an experimental/ hardcore band with weird sometimes humorous parts in between. We just wanna make music for the sake of making music. For the fun of it. No agendas. No business. Just fun. That is what Not This Cowboy is about.”
Thomas Buchanan: vocals
Logan Vess: guitar, vocals
Jared Berger: bass
Sam Frame: drums

” Live shows are technology oriented using laptops to run many different effects such as heavy-pitch correction on all vocals. The band had their debut performance at Stella Blue on July 13, 2008 where they also released their self-titled album.”
Caleb Hanks:guitar, vocals
Evan Bradford: keyboards, vocals
Bron Burbank: bass, vocals
Lee Brooks: drums
The Nova Echo, 2008

“Now You See Them plays fun acoustic, indie and folk music that’s great to drink beer to. They rarely refuse a gig so you’re bound to run into them soon.”
Dulci: vocals, guitar, kazoo, clackers, melodica
Shane: guitar, ukulele, vocals, harmonica
Jason: Djembe, tambourine, vocals

In their own words, oddSTAR’s musical creations are “formed using a synthesis of expressive guitar lines and complex electronic textures set to beats that range from driving rock to industrial dance to hip-hop-influenced grooves.”
In 2008, the group was profiled in the MountainX.com local-music blog, Listening Party.
Ryan: vocals, electronics, guitar
Melissa: vocals, bass, synthesizer
Joe: more guitar
Christian: even more guitar

“The Odd Meters blend jazz, funk and world music into original compositions. Jon plays the eight-string guitar, which allows the bass and guitar to be played at the same time, and helps round out the band’s sound. There debut album features members of the Derek Trucks Band, Keller Williams and Mike Seal.”
Jon Morrow: guitar
Shane Parreco: drums, percussion

Ol’ Hoopty is an Asheville based band that, in their own words, is “like its namesake, runs as smoothly as a slant-six engine with a crankcase full of 10W-30 right out of the can.” Members have played all over the US and Europe, opening shows for The Police, Iggy Pop, The B-52s, and “a zillion others,” but now they spend their time writing and recording, and “fixing their wrecked ol’ cars with duck tape and Bondo.”
Bill Norlin: guitar, vocals, harmonica
Steve Cohen: bass, vocals
Mike Berlin: drums
George Scott: organ and piano

One Leg Up plays acoustic swing in the style of Django Reinhardt and Stephane Grappelli.
During 2005, One Leg Up accompanied Spanish gypsy jazz guitarist Pere Soto while he toured the U.S.; they did a concert/book show with Michael Dregni, author of the biography Django: The Life and Music of a Gypsy Legend; and their live version of “Tico Tico” was included on on WNCW’s compilation, Crowd Around the Mic Volume 9.
John Stineman: guitar, vocal
Jim Tanner: guitar
Daniel Coolik: mandolin, guitar, electric mandolin
Mike Guzalak: clarinet, tenor saxophone, vocal
Cary Fridley: bass, vocal
Gypsy Blue, 2004
Pere Lachaise, 2006

On the Take plays “pop-tinged rock with hints of synth and can be compared to Guided by Voices, Brainiac and the Unicorns.” The also have one of the most entertaining official biographies you’ll ever read.
Chad Pry: guitar, vocals
Josh Carpenter: bass,vocals
Justin Whitlow: drums, vocals
Andrew Riddle: guitar, synthesizer

Opus Grey has been writing “engaging rock songs” since 2005. The DIY-ready band self-released a demo in 2007, and has sought a niche in the local scene by playing for crowds who yearn for “authentic, unpretentious and accessible live rock.”
Duncan Chaboudy: guitar, vocals
D.R.: bass
Danielle Chaboudy: vocals
Jason Butler: drums
demo(n) (2007)

“The Orsons play a broad range of Americana styles, from bluegrass to a Southern grunge on a whim, creating passionate roots-based music.”
Charles Ashley: guitar, vocals, bass
Tex Santos: guitar, vocals, harmonica
Chris Steude: mandolin, vocals, keyboard

“Osaka Pearl is the latest musical creation of Cregan Montague and Danielle Tibedo with producer Rick Clark (Death Cab for Cute, Los Super Seven). Driven by Danielle’s synthesizers, vocoders, Cregan’s electric violin, cello and percussion, the new music can be loosely described as electronica, synth-pop, with an ambient vibe. (Cregan and Danielle were previously a duo called divineMAGgees).”
Danielle Tibedo : vocals, vocoder, keyboard synths, electric guitar
Cregan Montague: vocals, violin, electric violin, electric cello

“Outlaw was formed when five musicians with the desire to play rock music got together. After multiple band practices, they started playing at various venues such as parties, fundraisers and the occasional bar. Outlaw’s ultimate goal is to touch people with their unique style of rock. They love to rock, meeting new friends and just playing music.”
Bart Crisp: bass guitar
Matthew Carpenter: guitar
Jay Prince: drums
Anthony Brown: guitar
Jeff Thompson: vocals

“We are an acoustic, indie folk-rock-duo and have been together for almost 4 years. As singer-songwriters we have been able to create a mellow but rocking sound that moves audiences every time. We hope you will take a moment to groove with O Mello Cello Tree.”
Darby Wilcox: guitar, vocals, harmonica
Sarah Clanton: cello (sometimes guitar, vocals & harmonica)

Known for melodic and catchy pop songs, PAN is perhaps best described in their own words: “PAN consist of Jimmy Tutterow (songwriter, composer) and Jonny Darko (drums and arrangments) moving from places with no sunlight and loosing many friends to drug abuse, PAN has made themselves a place from all places. Recording has been a major part of our development, abstractions of space and time, concepts without the need to connect every song together so people think we have a concept.”
Jimmy Tutterow: vocals, guitar, electronics
Jon Darconte: drums

In his own words, Fitzsimons is an “old-school, train-hoppin’, finger lickin’, lounge lizard, smooth sailin’, harmonica wailin’, rag filled, foot stompin’, hi-hat ringin’, body feelin’, fingerstyle-blues guitar” player.
Click here for a list of Mountain Xpress features and blogs about Fitzsimons and his music.
Patrick Fitzsimons: guitar, vocals, harmonica

Paul Edelman plays “Americana [music], ranging from folk, bluegrass, electric and acoustic-driven rock.”
Paul Edelman: guitar
Paul Johnson: upright bass
Justin Eisenman: mandolin
Sarah Day: harmonies

Paul DeCirce: lead vocals, flutes, harmonicas, mandolin, tamborine, melodica, percussion, acoustic, slide and electric guitars
Scott: acoustic and electric bass guitars, acoustic guitars, backup voice
Todd: drumset, percussion, recorder
Bombshelta (as BB Drum), 2002
The Path Narrows (EP), 2004
Laundry Lady (EP), 2006
Down to the Bone, 2006
Mr. Anderson / Laundry Lady (CD single), 2007

“An alt-country band that sounds like a blend of WILCO, Chris Isaak and The Counting Crows. Two of the band members toured with Jennifer Nettles, of Sugarland, for five years (Jennifer Nettles Band & Soul Miner’s Daughter). Peach League plans to play in the Southeast primarily, concentrating in and around Asheville. The new album is available at Harvest Records and Static Age Records in Asheville and online.”
Bob Williams: acoustic guitar, vocals
Wes Lupold: electric guitar, banjo, mandolin, bass, piano, accordion
Brad Sikes: drums

Peggy Ratusz, along with musicians Ryan Holgerson and Duane Simpson came in fourth place out of 27 acts at the 2007 annual Piedmont area Blues Challenge. She performs with a variety of performers, including her backing group, Daddy LongLegs, at venues throughout the region.
Peggy Ratusz: vocals
It Takes a lot of Faith, 2005

“Peg leg is part of the alternative hip hop group Science Non Fiction. He has toured the U.S., Canada and Europe gaining insight to how people live all over the world. Peg leg Brings passion and energy to every show whether its a crowed of 20 or 1,000. He take’s his audience through the emotions of his honest lyric’s while keeping everyone evolved.”
Peg Leg: MC

In 2005, PGroove was named one of the top ten bands to watch by Relix magazine. They have performed to over 20,000 listeners at Bonnaroo, made appearances at festivals such as High Sierra, Wakarusa, 10,000 Lakes, The Blue Ridge Harvest Fest, Atlanta’s Music Midtown and Xingolati. They’ve sold out new Year’s Eve shows at the Georgia Theatre since 2004.
Brock Butler: lead vocals, lead guitar
Adam Perry: bass
Matt McDonald: keyboards, background vocals
W. Albert Suttle: drums
Sweet Oblivious Antidote, 2003, Treeleaf Music
All This Everything, 2004, Treeleaf Music
LiveLoveDie, 2007, Treeleaf Music

Firmly rooted in musical exploration, this group proudly proclaims themselves as part of Asheville’s jam-band scene. A staple of “after-show” parties around the region, the group performs original material and interpretations of songs by the likes of the Grateful Dead, Ratdog, Widespread Panic and others.
Dan Joffe: bass, vocals
Bill Evans: guitar, vocals
James “Stymie” Collins: guitar, vocals
Ned McGinn: percussion
David Mulder: keyboards, vocals
John “Gio” Wyatt: drums, vocals

As a singer/songwriter, Pierce Edens has quickly established himself with honest lyrics on top of solid, expressive melodies. Now, joined by the Dirty Work, Edens continues exploring a sound that lies somewhere between the garage and the back porch.
Pierce Edens:: vocals, rhythm guitar, harmonica
Michael Olivier: upright bass, electric bass
Matt Smith: pedal & lap steel, lead guitar
David Mack: drums

“Pipapelli plays rockin’ blues with a Celtic twist. Many of their songs are driven by the Great Highland Bagpipes, creating the Original ‘Western Carolina Wah-Pyps.’ (Their musical sound ranges) from Robert Johnson, to the Blues Brothers and Led Zeppelin, with many eclectic journeys in-between. Other instruments utilized are Native American love flutes and double kick drums/percussion.”
RJ Grady: bagpipes, guitars, flutes
Just Cindy: vocals, percussion
Paul Salos: drums, vocals
Evan Sealey: bass, vocals

“The P.I.T.S.’ signature style mixes grunge with hard alternative and indie rock, and even a hint of psychedelia among dark grooves on certain songs, paying tribute to some of the most unique bands of the past two decades while retaining an uncanny individual flair and identity. Their live shows take audiences on a roller-coaster ride from rock to ruin and back again. It’s time for the rest of the world to get onboard.”
Luke Peace: guitar, vocals
Chris Brant: drums, keyboard

“Original rock and roll influenced by many musical talents and ideas. Their unique (musical) creations have come together and, like dynamite, The Plaztik Poney Band is ready to explode.”
Donnie Basham: vocals, guitar, keyboard
Charles Reece: bass, vocals
David Caviness: guitar, vocals
Brandon Williams: percussion, vocals

They describe themselves as a “high-energy, super-soul, spiritual-party band lovin’ every minute of what we do.”
David Earl Tomlinson: guitar and vocals
Imhotep: Mardis Gras drums
Fatty: bass
Sugar Sweet: horns andpiano
Rocka’: pedal steel

The Poles claim their music is a “volatile crock-pot of emotion, invention, and restraint,” and draw inspiration from groups like Pink Floyd and the Jesus Lizard. The band signed to Minneapolis based label DoublePlusGood records in 2005.
Todd: guitar, vocals
Bruce: guitar
Matt: bass
Jon: drums

Formed after the death of Joseph “Ponkin” Pearcey in 2002, PonkinHead Entertainment is an indie record label in based in Asheville. Following another untimely death — the 2007 murder of Swannanoa-based rapper Nino — the label brought together a collection of local hip-hop artists for a tribute album to the performer under the banner of the “PonkinHead Allstars.”
Illski: producer
Team Olympic: hip-hop collective
Yung Mawk: rapper
Killa Ninz: rapper
Zone: rapper

The group describes their sound as “Bill Monroe meets The Pogues,” a driving blend of old-time heart and punk-rock drive.
Toby Weaver: fiddle
Rob Gabb: banjo, vocals
Mike Arant: guitar, vocals
Andy Edmonds: bass

“Projekt Lotus’ sound can be described as reminiscent of De La Soul and A Tribe Called Quest with a little MadLib and JayDee. Tavo’s production is rooted in jazz and soul, although he likes to bend the rules and push the boundaries. Songs reflect the myriad of emotions life gives us: joy, pain, anger and love. Projekt Lotus is influenced by Black Flag, Stevie Wonder, Ramsey Lewis, Big Daddy Kane, Redman and Bob Dylan. Their shows are high-energy, sweaty affairs.”
MoSes: Emcee
Knot-N-MC: Emcee (decoy/the face)
sympL: Emcee (strong-arm)
Tavo: Emcee, DJ & producer
Skrilla: DJ (the getaway driver)

Formerly known as Cabo Verde, members of Quebrao (“broken”) have performed at Artisphere, Lexington Avenue Arts & Fun Fest, Fiesta Latina, Greenville Main Street Jazz, Lake Eden Arts Festival, Instruments of Peace 2, The Orange Peel, The Grey Eagle, Stella Blue, The Handlebar, The Pour House (Charleston), The World Grotto, Preservation Pub, Emerald Lounge, Blue Spiral Gallery, Zambra, Tressa’s, Cafe Soleil, Stir Fry Cafe, Barley’s and more. In a short time, Quebrao has performed at Zambra, Anderson Downtown Sounds, Greenville Main Street Jazz, and West First.
Juan Benavides: guitar, cajon, guacharaca, and composer
Robin Tolleson: drums
Jake Wolf: bass

From the band: “The Queen Anne’s Revenge plays old time music from North Carolina and Appalachia. Influences include Roundpeak-style old-time, Deep-South old-time, early country (pre- WWII), maritime, Cajun and country blues.”
Lora Pendleton: guitar, vocals
Don Rawson: fiddle, vocals
Kevin Scanlon: clawhammer banjo, vocals

“Quetzatl is known for performing cutting edge LIVE electronica. Quetzatl’s adventurous music has been featured on College and Digital Radio all over the United States and Canada as well as in Independent Films, Documentaries, and Television Programs.”
Esiris Kayab Lyons: drums, sampler, synthesizer

Hardy ‘Rad Andy ’ Williamson is the frontman for the bluegrass-and-jazz-inspired rock band RIFT, but has recently begun exploring a solo career.
Hardy ‘Rad Andy ’ Williamson: acoustic guitar, vocals

“Rafe Hollister is a bluegrass, country and Americana band playing popular old-time bluegrass and country songs as well as original material best described as Americana.”
Sam Brinkley: vocals, guitar
Mark Moser: mandolin
Brooks Butler: guitar, vocals
Jeff Mendenhall: fiddle
Joseph Massie: bass, vocals
Dux: drums

Ras Alan’s own “Appalachian Reggae” has been described as “Doc Watson meets Bob Marley at the Carter Famil picnic, with the Abyssinians and Norman Blake tradin’ recipes with Burning Spear, the Itals and Johnny Cash.” As featured in The Smithsonian Institution’s permanent Archives (representing “Contemporary southern Appalachian culture and music”), Country Music Television’s (CMT) “Small Town Secrets”, the Birthplace of Country Music Alliance, Reggae Ambassadors Worldwide, PBS’ Carolina Calling series, the “Archives of Appalachia” at East Tennessee State University, Blue Ridge Country Magazine, the BEAT magazine (Los Angeles), Blue Ridge Outdoors magazine.
Ras Alan: Singer, songwriter, musician, arranger, producer, engineer. Performs with acoustic, resonator and electric guitars, dB (a drinkbox he kicks for a drum in solo shows), custom ashiko and many other hand drums and percussion instruments
The Lions: Ras Alan’s touring and recording band includes some of the best and brightest musicians from southern Appalachia, as tour schedules permit.

“The Razor Mephistos have taken their cutting-edge audio back to the studio, and from the band’s new digs in Asheville, comes its newest release, Campfyre Melodies, a scorching six-track EP loaded with the band’s trademark blend of heavy alternative grooves and smooth melodic hooks not commonly found in today’s rock environment.”
Jim Safford: vocals, guitar
Neal Ward: guitar, vocals, bass, drums

“As though REM & Fugazi wound up staying in the same hotel off I-95. Snarl to spare by the second here, but Red Collar pulls up just in time to sink the hook. Making those mechanics charming and persuasive, which Red Collar does really well, is a wild gift indeed.” - The Independent Weekly
Jason Kutchma: vocals, guitar
Mike Jackson: vocals, guitar
Beth Kutchma: vocals, bass
Jonathan Truesdale: drums

“Authentic roots reggae. Band members hail from various Caribbean islands as well as the U.S. They play original, positive music suitable for all ages.”

“The hottest up-and-coming rock band with high energy and deep lyrics.”
Brian Keith: guitar, keyboards, lead vocals
Walt Jacobs: bass, vocals
D.B. Hackett: guitar, vocals
Danny Buckner: lead guitar
Jeremy Buckner: drums
Sam Monteith: sound & tech manager

Pianist Shank has played a wide range of styles, from gospel and rock to country and blues. He hopes his music “brings awareness of the hope we all have and the brightness that tomorrow can bring.”
Richard D Shank: keys, vocals
A Single Step (2007)

“The Ringing Cedars was formed by two people who wanted to push beyond what is normal or expected. Their music presents an original rock sound, while retaining a mystic reflection of self exploration. Driving rhythms and ambient guitar accentuate delicate vocals in a celestial celebration of emotion in their first upcoming self-titled album, The Ringing Cedars.”
Roxanne Ashby: bass, keyboard, vocals
Charles Ingram: guitar, keyboard, vocals, drums

“From pre-war blues tunes, to soul, funk, hip hop and reggae, Riyen Roots plays a wide variety of musical genres in any given song, following in the footsteps of those who change the way society thinks about peace, love, freedom, equality and the pursuit of self enlightenment.”
Riyen Michael: vocals, guitar
Justin Andrews: guitar
Kent Spillman: drums, percussion
Drew Johnson: bass

“I love all music and all people. I simply want to bring back music that is positive, inspiring and not offensive to anyone. It’s okay to sing about love and everyday life and that is the message in my music.”
RJ Adams : vocals
James Eudy: guitar
Love, Life, Music, 2007

Ronnie Evans plays the classical guitar for restaurants, special occasions such as anniversaries, weddings, birthdays and for private parties. He sticks to standards such as “Blue Moon,” “Dr. Zhivago,” “It Had To Be You,” “True Love,” “Daydream” and others from 200-song list. He is inspired by the musical style of legendary Chet Atkins. Currently, Evans performs regularly at the Waterfall Country Club at Lake Burton, Georgia.
Ronnie Evans: classical, acoustic, electric guitar

Rooster Scratch is a Southern garage band. Their songs tell the stories of honest, reckless Southerners living in or near the mountains. They’re a patriotic lot, with a fierce independent streak. Songwriter Todd Jones claims to have keen eye for disparate characters living on the margins of society, often championing the proletariat and making friends with both the high-minded and the down-and-out.
Todd Jones: guitar, banjo, vocals
Jennifer Foster: keyboards
Pauly King: bassist
David Strunk: lap steel

The refer to themselves as “entertainment specialists,” and there’s good reason to believe that this party-loving sextet might be just that.
Melodee Edington Leyshon: vocals
Ricky Beavers: vocals, percussion
Lane Thaw: guitar, vocals
John Hoekstra: piano, keyboards
Derek Sandlin: bass
Michael Leyshon: drums, percussion

The Royal We have been appearing in various venues around Asheville and other Southeastern states since their formation in 2001. The group combines a variety of styles, as well as a healthy dose of theremin, to create their unique sound.
Chris Tandfield: songwriter, producer, singer, guitarist, thereminist
Various other performers

Photo courtesy: Rebekah Pelletier
Molly Kummerle: vocals, songwriter
Andy John: guitars, harmonica
Robin Tolleson: percussion, backing vocals
Living Room, 2005

From the band: “Saint Solitude is the ongoing solo project of Asheville musician and The Cardinal Heart member Dup Crosson. His songs reflect a romantic detachment from the indie pop format while still maintaining a steady, melodic focus.”
Photo by Benji Sanford
Dup Crosson: all instruments
Disaster Stories

“Samantha Sue is a new artist originally from Canada. She has 25 original songs with over 800,000 myspace plays. Sue is currently working with an Atlanta based record label while playing at various venues throughout Asheville and the surrounding area.”
Samanatha Sue: singer/songwriter

“With decades of combined musical talent, Scenic Roots has been playing collectively for over a year. Their music does not fit into one particular genre, but draws from many diverse influences [including] rock and blues, traditional bluegrass and roots. The band meshes old-time instruments like the acoustic guitar and banjo, combined with the force of the electric bass, guitar and drums. We’ll keep the room moving and shaking!”
Josh Wilson: vocals, guitar
John Carrico: guitar
Corey Black: vocals, acoustic and electric banjo
Troy Shriver: bass
Brian Ross: drums

“The Scoot Pittman Trio performs a combination of rock, soul, swamp and grit music. Once folks here the band, they are instantly hooked into Scoot’s charisma and playfulness with the audience. Accompanied by bass player Tony Anaya and drummer Brench Couch, this could be the year that the Scoot Pittman Trio makes their mark on the National Touring Circuit.”
Scoot Pittman: guitar, vocal
Brent Couch: drums, vocal
Tony Anaya: bass, vocals

“While most rappers focus on money, drugs and the fast life in their music, Scott separates himself from the mainstream. With controversial singles, Scott proves that he isn’t afraid to show his scorn towards the government and all its corruption. Couple that with being a true emcee and you’ve got a party that doesn’t stop till they make you leave. Whether it be on a college campus or a hole in the wall in your city, he always leaves his audience with something to think about. Thought…an interesting word that has disappeared from most hip-hop.”
Scottie Flippen: vocals, spoken word
DJ Mike Machete
DJ Conbud

Sonic rock with a psychedelic pop twist.
The band just signed a film/tv licensing contract with Northstar Media, which provides licensing and creative services for American Idol, Honda and a host of other media outlets. SeepeopleS was also featured on jambands.com as the “New Groove Of The Month,” and has articles/reviews in the current issues of The Big Takeover, Relix, State Of Mind Magazine, An Honest Tune, Hittin’ the Note, Southeast Performer and more.
Will Bradford: singer/songwriter, guitar, keys, sampler;
Dan Ingenthron: bass, vocals;
Tim Haney: drums;
Peter Keys: keys, vocals
For The Good Of The Nation Rascalz Recordz, 2001
The Corn Syrup Conspiracy, Rascalz Recordz, 2004
Apocalypse Cow Vol. I, Rascalz Recordz, 2007
“Selah Dubb is the evolved result of fifteen-years of road-tested trials and tribulations. Described as the “Lean & Mean” and “Light & Tight” trio, each member brings a vital element to the band’s success through both talent and life experience. On the surface, the mission of the band is to spread unity and positive vibes. However, if one wants to delve deeper into the lyrics, messages of equality, consciousness and empowerment are bountiful. Selah Dubb’s sound can be described as high-vibrational funky reggae with a soul twist. Their infectious rhythm is bound to get people on their feet, leaving the crowd wondering how just three people can create such a large sound. While traveling across the U.S.A. since the band’s inception, Selah Dubb has been fortunate to share the stage opening for many of their favorite artists: Black Uhuru, Burning Spear, Jimmy Cliff , Slightly Stupid, Steel Pulse, Widespread Panic, and most recently, with The Wailers.”
Mark Evangelist: guitar, vocals
Heather Purdin “Baby Beats”: keyboard, vocals
Peter Hanast: “Popalo”: drums
Chant On, 1994
Hoodonna, 1996
Rubber Tramps & Vagavonds, 1998
Think, 2000
Night & Day, 2001
10 Years So Far, Whirling Like a Lost Blind Pony, 2004
First Full of Smoke, 2007
Groove Junkie Sessions – Disc 1, 2008
Groove Junkie Sessions – Disc 2, 2008

An offshoot band by members of local group Descolada, Serpents was “originally created to just make a bunch of noise, and essentially be obnoxious.” The group has transformed a bit since then, becoming an overpoweringly dark and heavy brand of metal.
Tony Plichta: drums, vocals
David Lynch: guitar, vocals
Crawford Winstead: guitar, vocals
Robbie Pitts: bass, vocals
William George Evans: keyboard, effects

Four guys who think about music like classical composers with a hard eerie edge about them. A ghostly/eccentric vocal style, dynamic atmospheric guitar lines, Tribal drum beats, and punchy bass rhythms. The band focuses attention to deeper thinking and the lines between all for forms of light and dark as well as the metaphysical being. A young band, who has accomplished more than they should have in such a short period of time.
Stephen Presley: Vocals
Stephen “Hub” Hubbard: Guitar
Ian Gilbert: Bass
Isaac Small: Drums

One man band living in van touring machine. Punk rock hill country blues, sweaty booze laiden acrobatics.
In 2007, SILAC was featured in the MountainX.com local-music blog, Listening Party.
Blake Burris: vocals, guitar

“The Shane Pruitt Band brings raw, refined, explorative and expressive blues music to cities across the Southeast; quickly becoming one of the most recognized and popular bands in the region. With over 80-years of collective performance experience, the Shane Pruitt Band produces a sound that is both powerful and accessible, the rare sort that rewards deep listening while still pleasing those who come simply to dance and drink.”
Bill Fletcher: drums
Shane Pruitt : guitar
Jim Peterman: B3, bass

The Sharkadelics are cover band specializing in classic rock and popular heavy metal hits. They are one of the region’s more active and popular bar bands, performing three to four nights on an average week. The group is also nationally sponsored by Jagermeister.
Terry: vocals
Alton: guitar
Ryan: drums
Mick: bass

Sharon LaMotte Band
“Modern jazz vocals from the great American songbook. Laid back yet edgy, recognizable yet surprising. Music to experience!”
Sharon LaMotte: vocals
Bill Gerhardt: piano
Zack Page: bass
Sonny Thornton: drums

“Shine River is the ultimate, hardworking, all-American band. The mission is simple: write, record and perform the best rock ‘n’ roll music possible, while always maintaining professional composure. The music of Shine River is a golden portal to a wild shindig chock-full of adventures on the river bank. The captivating energy produced while listening to Shine River evokes imagery laden in Southern roots and classic rock. Many musicians and bands seek their whole life to find that perfect recipe of sound, but few are blessed to have actually found it.”
Charlie Garrett: guitar, vox
Tyler Sheppard : guitar, vox
Craig Dry: drums, vox
Sean Lewis: bass

From the ashes of former Asheville-based rock group Dragonmoose, the Shitz re-emerge after several years hiatus. The style ranges from hard rock and punk to progressive rock and jazz. The group is currently “working on breaking back into the ultra-cool Asheville rock scene.”
Shawna solito: guitar
moose: drums

Silas Durocher and Everybody Knows is an ensemble that synthesizes the accessibility and unique expressiveness of “popular” music with the intellectual stimulation and satisfaction of “academic” or “classical” music. Think the Beatles in their “I am the Walrus” phase meets the year 2008 meets funky. The group consists of Silas (guitar and vocals), Bharat Chandra (principal clarinetist for the Florida West Coast Symphony), Sasha von Dassow (cellist for the Florida Orchestra and Musicians Out of the Box String Quartet), John Miller (principal bassist for the Florida West Coast Symphony), and Garrett Dawson (drummer and percussionist). The ensemble’s live performances have engaged audiences and have been highly praised for their originality and excitement. Silas Durocher and Everybody Knows is extremely excited to be releasing their debut album in the Fall of 2008. Check the website (http://www.silasdurocher.com) for more information.
Silas Durocher: Guitar and Vocals
Bharat Chandra: Clarinet
Sasha von Dassow: Cello
John Miller: Upright Bass
Garrett Dawson: Drum Set and Percussion

Silver is music. Silver is simple. They pull from a variety of musical influences that include the maturity of U2, Springsteen and Pearl Jam with the new creativity of MuteMath, Coldplay and Radiohead. The sound began at N.C. State University with Pat Downing and Brent Francese. The meeting of Brandon Walton came easily. And beyond that meeting came a new evolution and creativity in the music that has allowed the band to expand its musical process beyond its roots. The result is a sound that is driving, ambient, melodically memorable.
Brent Francese: drums, samples
Pat Downing: lead vocals, guitars
Brandon Walton: bass, vocals
The Second Coming, 2006

Silvergun Superman, in their own words, “an all-original rock band” that “bridges the gap between heavy metal and hard rock.”
The group was also profiled in the MountainX.com local music blog Listening Party.
Eric Reaves: guitar
TJ Burke: drums
Jordan Dowdy: bass
Cory Cunningham: vocals

“Silver Hand is an energetic female-fronted rock group, with a powerful collaboration of four dedicated musicians driving a diverse and entertaining live show. With a focus on innovative songwriting, Silver Hand combines unique melodies with an ‘80s post-punk sound and haunting vocal performances. Heavy, high energy danceable songs, with memorable melodies and soft, textured, atmospheric pieces create an original sound. Influences are Joy Division, Killing Joke, Siouxsie & The Banshees, PJ Harvey, Nick Cave, the Swans, Tones On Tail, The Rolling Stones, Pink Floyd, etc.”
Danny: guitar
Kim: vocals, keyboards
J-me: vocals, bass
Rob: drums

From the band: “Space rock or psychedelic trance rock - whatever you want to call it, Silver Machine is a new band out of Asheville, NC which mixes tight funky grooves with wild experimentation. Featuring a ‘Theremin’ (a retro-futuristic electronic instrument from the 1920’s), Silver Machine has a spooky, far-out sound alot like the old Science Fiction and Horror film soundtracks from the past. The band has a sound all of its own, while influenced by classic bands like Pink Floyd, and newer bands like Sound Tribe Sector Nine and Ozric Tentacles.”
David Lee: guitar, loops
Chris Tanfield: Theremin, guitar
Jared Curtioff: bass
Matthew Westerman: drums

“Retro-alternative rock.”
Sinn Mctavish: guitar, drums, vocals

This Asheville-based band was founded by Xavi Ferdon and Pancho Romero Bond. The group’s high-energy style is difficult to neatly categorize. They play foreign music as well as upbeat and serious originals, with a lyrical style ranging from the quirky to the absurd.
The group was reviewed on the Mountain Xpress blogs in late 2007.
Pancho Romero Bond - Vocals, Guitar, Kazoo, Ukulele
Xavier Ferdón - Guitar, Charango, Vocals
Jamie Davis - Bass, Vocals
Branco Côtés - Lead Percussion
Amy Lovinger - Violin

“Asheville’s freshest young band whose ages range from 13-18. Don’t let their ages fool you - they are ‘making waves’ on the local music scene knocking out youthful renditions of classic blues, funk and soul. These gifted performers deliver lip smacking, dance inspiring, mood altering grooves with strong soulful vocals that will lead you on a journey from a slow shuffle to booty grooving madness!”
Jesse Barry : vocals
David Cate: guitar
Paul Chelmis: keyboards
Avi Goldstein: bass
Colin Hanson: drums

Skylark is an ensemble of seasoned musicians with swinging jazz in their hearts. Their sets cover a variety of styles from different parts of the country. The repertoire is mostly from the ‘30s, ‘40s and ‘50s.
Mark Sherren: piano
Jim Bily: vibraphone
Dan Seward: bass
David Barbour: drums
Robin Nobling: vocals

“An art-punk duo that will blow your mind. You must see it to believe it; you must hear it to love it.”
Shawna: guitar, vocals
Moose: drums, vocals

“Sol Driven Train is a band in motion. Perpetually piling on and off the bus, the momentum of their hard work and heart-felt music propels the group upward. At shows, the band members bounce to the pulse of the music along with the crowd. Stylistically the band ‘seamlessly mixes Allmanesque Southern rock, languid world-beat, swampy funk and downright catchy melodies as they swap lead singers and instruments. A punchy horn section adds an extra dimension of sweaty soul to the genre-blurring jam party’ (Atlanta Creative Loafing). They have shared stages and bills with a diverse array of artists including Michael Franti, Richie Havens, Keller Williams, The Samples, Blueground Undergrass, Billy Jonas, Ryan Montbleau and Arlo Guthrie.”
Russell Clarke -: saxophone, vocals
Joel Timmons: guitar, vocals
Ward Buckheister: trombone, guitar, vocals
Rusty Cole : bass, vocals
Wess Powers: drums
Tajar Tracks, 2005
Live on the Outer Banks, 2007
Lighthouse, 2008

“You might hear a Johnny Cash song, then Brown Eyed Girl. When shaggers want to shag, maybe you will hear Stand By Me, or Under the Boardwalk. No matter what they are playing, Sons of Ralph will play it well and have fun!”
Ralph Lewis - vocals, mandolin, acoustic & electric guitar, fiddle
Martin Lewis - vocals, acoustic, electric & slide guitar, dobro, harmonica, percussion, keyboard
Don Lewis - fiddle, banjo, vocals, acoustic & electric guitars, harmonica
Steve Moseley - vocals, bass, electric & acoustic guitar
Ozzie Orengo Jr. - percussion

“Spearheading a neo-classic soul movement, Soulfinger brings an original soul-sound and influence to today’s live music scene. Spanning over a half a century of collective musical experience, Soulfinger plays (and listens to) the music that made the classic Soul and R&B sound.”
Tim Spencer-vox,harmonica,Rhodes electric piano
Jamie Meade-Fender Stratocaster, Gibson Les Paul
Danny Michel: Fender stratocaster, Fender telecaster
Phil Senseny: bass
Danny Ledford: drums
Pee Jay Alexander: trumpet
Jason Hutchens: saxaphones
Bob Knapp: saxaphones
Jason Thompson: saxaphones

“Rising to the top are the Soul Shakers, a four-piece band consisting of three brothers and their childhood friend. Churning out hard-driving originals that slice deep into grooves of Stax/Chess with a raw-cut fervor that cooks. From the Delta to the Big Sky country, the listener’s pallet will be completely satisfied.”
Art Holliday: guitar, vocals
Jake Holliday: bass
Adam Holliday: piano, organ
Eric Pullen: drums

“Sound Investment plays dance music from the 60s, 70s and 80s and they keep the dance floor packed. The play everything from The Beach Boys, 4-Seasons, Wild Cherry, Commodores, Elvis, The Beatles and lots of motown. Check them out.”
Rick Gundersen: lead guitar, vocals
Kevin Filson: bass guitar, vocals
Dan Weingartz: Drums, vocals
Rodney Gibson: keyboards, rhythm guitar, vocals

“Country music, the way it’s supposed to be.”
Doug Hudson (Guitar, Vocals)
John Richardson (Guitar, Vocals)
Lynn Loudermelk (Drums, Vocals)
Jammie Schoul (Bass Guitar)
Jason Campo (Steel Guitar)
Keepin’ It Country
The Tradition Continues
Made From Scratch: A Collection of Original Songs

They call their music “transcendental Americana,” and claim it’s “a blend of melodic instrumental arrangements, well-crafted harmonies and classic songwriting.”
Patton Cardwell: guitar, vocals
Eric Swanson: bass, vocals
Brad Boughton: drums, vocals

The South French Broads are an eclectic 2-piece ensemble that incorporate bass, drums, sax, harp, vocals and sound toys into an energetic mix of rock, punk, jazz, comedy and theatrics.
The South French Broads’ self-titled release was reviewed in the Xpress 2007 CD round-up “Sound Investment.”
Radix: drums, vocals, sax, “lil’ piano,” samples, props and slops
Alex: bass, harp, vocals, percussion, whistles and milk thistles

“The Space Heaters are an ‘old-time swing’ band (with a sound that falls) somewhere between “Django” and “Bob Wills and His Texas Playboys.” Leo Johnson started the group when he moved to Asheville from Nashville. The Space Heaters are aiming high and plan to be in the festival circuit (throughout) 2009.”
Leo Johnson: vocal, guitar
Ray Ring: ukulele
Jason Baker : fiddle
Caroline Pond: fiddle, vocals
Ian Herrid: upright bass

Speedsquare is a drum, trumpet and piano duo whose songs land under the ambiguous umbrella of musical experimentation. Their progressive variety weaves together elements of jazz, classical, blues, rock, video game jingles and theatrics. Each show manifests originality, zany antics and surprises.
Photo © Paul Jackson
C Scott: drums, horns
Billy Sheeran: piano, percussion

Musically, Squat is a mostly instrumental ensemble performing originals and standards inspired by a variety of styles including ‘60’s era Blue Note, Bossa Nova, Afro-Cuban, blues, gospel, hip hop, and New Orleans second line.
Squat was voted best jazz band for four years in a row (1999-2002) and again in 2006 and 2007 at the Flagpole Athens Music Awards. Squat was a finalist in the 2004 Future of Jazz Competition in Atlanta, Ga. The band has been a featured performer at the Atlanta Jazz Festival, the Athens Jazz Festival, the Human Rights Festival, Athfest, the Cherry Blossom Festival, Bele Chere, the Lake Eden Arts Festival, Harvest Midtown and many others.Their album Gruelash was listed as one of the top 10 best local releases of 2002 by the Atlanta Journal. Squat’s members have performed at the Montreux Jazz Festival, Jazz A Vienne, and the World Sacred Music Festival in Bangalore, India. Members have also performed with Jimmy Haslip, John Patitucci, Tim Armacost, Widespread Panic, Cory Christiansen and Joe Lovano.
Trey Wright: guitar and piano
Carl Lindberg: bass, percussion and vocals
Tommy Somerville: piano, tenor saxophone, percussion, and vocals
Darren Stanley: drums and percussion
Cycles, 1995, Namaste Records
Tales From the Side of the Road, 1997, Namaste Records
Placebo, 1999, Namaste Records
Athfest 1999 compilation, 1999, Ghostmeat Records
Gruelash, 2002, Namaste Records
Recycled 1994-2004, 2004, Namaste Records
The Future of Jazz Volume 1 compilation, 2006, Jammates Records
Squat, 2007, Namaste Records

Fronted by songwriter Stacy Moore, this group incorporates the contributions from several noted local musicians.
Stacy Moore: guitar, vocals
Valorie Miller: bass, vocals
Matt dingledine: guitar
Ian Cunningham: drums

“Songwriter and musician Danny Raskin combines a multitude of various styles, off the wall lyrics, a brand new sound, and 25 years of original songs to set the landscape for this project. Over the past 3 years has the music peaked all expectations….See You…Out There!”
Danny Raskin: guitar, vocals
Andy Meyer: drums
Chris Hart: guitar
Danny: bass
Jaycey: vocals
Willow: keys
Ned: drums

In 2005, Stephanie’s Id album, Spiral In was named in the Top 100 national releases by WNCW, the Asheville Ballet choreographed ANNA! A Rock Ballet to the music of that album, and Jane magazine chose the single “Popsicles” for their 2005 compilation.
The band’s 2007 release, Grus americanus, was reviewed in the Xpress 2007 CD round up “Sound Investment.”
Stephanie Morgan: vocals
Chuck Lichtenberger: keyboards
Vic Stafford: drums
Rob Geisler: bass
Michael Libramento: guitar
Spiral In, 2005,
This EP is Money, 2006
Grus Americanus, 2007, Nine Mile Records

From the band: “Since releasing their first EP in early 2007, The Stereofidelics (formerly known as Quick Six) have firmly established themselves in the musical hotbed of Asheville, NC. Their infectious and energetic sound has earned them performances in such prestigious venues as the Grey Eagle Music Hall and has garnered them regular airplay from stations including AAA station WNCW. The Stereofidelics are promoting their EP release outside of Asheville as well, touring throughout the southeast, midwest, and into the northeast during the summer of 2007. They are currently working on their debut album which is due out in summer 2008.
By showcasing their multi-instrumental capability, The Stereofidelics are able to operate completely as a duet and deliver a full sound. Relying on their passionate vocals, organic harmonies, and spontaneous instrumental creativity, they perform with the unmistakable emotional attachment of co-creators. “They…do the proverbial in creating something greater than the sum of its parts” (Dave Carter, WETS-FM).
The Stereofidelics have the energy of Bluegrass, the seduction of Latin, the freedom of Jazz and the raw passion of Hard Rock driven by instinctive virtuosity and musicianship.
Chris Padgett: acoustic guitar, electric guitar, loops, vocals, keyboards
Melissa McGinley: violin, drums, vocals

Hunter Kalman: vocals, guitar
David Vandegrift: lead guitar
David Baker: bass
Elzy Lindsey: drums

“We aren’t worried about having the biggest record deal or the biggest song on the charts. This isn’t about competition, it is about having something to say. So long as we have a message to get
across, we will continue to make our music.”
Jonathan Yates: lead vocals, rhythm guitar
Shannon Clark: lead guitar, vocals
Robby Moore: drums, vocals
Stephen Nanney: bass guitar, vocals
Sam Watkins: keyboard, electric guitar
Stone Black, 2006

Strut has turned heads at festivals such as Smile Fest and Bele Chere, had music aired on MTV’s Meet the Barkers and were recently named High Times magazine’s unsigned band of the week.
Casey Cramer: guitar
Elijah Cramer: bass, vocals
Agent Ishi: vocals
Patrick Thomas: drums
Non-Hostile Takeover, 2006, independent

“The Summertime Whisky Band is a funk/rock band that makes any bar or party get up on its feet. The Whisky Band started jamming in the early summer of 2006 (hence the name) and started playing small parties by the fall. The Band combines elements of rock, pop, blues, funk, fusion and jazz into a melting pot of great music. With hours of tasteful tunes, The Summer time Whisky Band is an electrifying act to watch and listen to. In June 2009, The Whisky Band completed there new studio album, Funk You Very Much. They are currently writing new material for the follow up album, while playing around the southeast.”
Andrew Robinson: guitar, lead vocals
Matt France: drums, vocals
Michael Dean: bass, vocals
Funk You Very Much, 2009

Suttree includes members of “noise-psych” band The Labiators, who decided to launch a new project which would “slow things down a bit.” In their own words, the idea behind the band was “to create their warped idea of a modern Lee and Nancy backed by a lovely, yet sinister desert psych noir band.”
The group was profiled in the MountainX.com local music blog, Listening Party.
Chad McRorie: guitar, vocals
Rebeccah Mark: vocals
Paul Parsons: guitar
Christian Riel: bass
Lauren Davis: organ
Miles George: drums

This pop-oriented rock group claims to draw inspiration from a variety of sources, including the films of Jean-Luc Godard and Wes Anderson films and the works of Kafka and Salinger. Then again, they also credit their sound to the likes of The Kinks, Radiohead and Neil Young.
The band was featured on MountainX.com’s Listening Party in December of 2007.
Stuart Baker: guitar, lead vocals, keys
Zach DeBoer: guitar, lead vocals
Jamie Dougherty: bass
David Barret: drums
Elizabeth Baker: keys, synths, drum machines, vocals

They describe themselves as “perking eyebrows and ear-holes” with a “festive and frantic stage show.” Fronted by powerhouse vocalist Lee Madison, the group regularly performs at bars and cover-act friendly venues throughout the region.
Lee Madison: lead and background vocals, percussion
Ronnie Taylor: lead and rhythm guitars, vocals
Sean Carey: bass and vocals
Scott Todd: drums and vocals

Keyboardist/producer Michael Christie brings an arsenal of samples—horn lines, rhythm guitars, Indian and Arabic musicians and vocalists – and lays them over deep groove drumming and dark, reggae-infused basslines. The result is a multi-layered journey of sound that can transport listeners from a remote village in Pakistan, to a dub studio in 1970s Jamaica, to a fat Philly hip-hop groove—sometimes in the same song.
Michael Christie: keyboards, melodica, samples
Curt Heiny: bass, synth bass
Mike B: drums, loops
Fire One, 2006, Echo Project Music

“Emerging as a powerful force within the metal scene, Telic combines unconventional songwriting with brutal grooves that are sure to please all who enjoy high energy, in your face music. Pulling no punches, their live performances will leave your ears ringing and your neck sore, but, surprisingly, you’ll want more. Formed from prior local metal bands, Telic is only looking forward. They are currently finishing up an EP with Jamie King, which will be releases in 2010.”
Britt : guitars
Josh: vox
Nick: bass
Rob: drums

“Temptation’s Wings is a metal band that discards the boundary of genre and plays what they want to without trying to fit in a [specific] scene. Since 2007 they have played over 40 shows with many more being lined up throughout the Southeast. With the release of their album Destruction of Another Dimension, the band hopes to spread the message of Temptation’s Wings to the masses.”
Micah Nix: guitar, vocals
Crystal Akers: bass, vocals
Jason Gardner: drums
Destruction of Another Dimension

Dave Dribbon: vocals, acoustic guitar
Chris Budro: Dobro, lead guitar
Scott Benson: bass
David Cohen: drums
Waiting To Get Out Of Town, 2006, independent

“Start with a strong dose of lyrical singer/songwriter, acoustic folk. Add a helping of catchy hooks mixed with modern rock arrangements and searing, soulful vocals. Then package everything in a hot-rod Americana string band, featuring some of the Southeast’s finest bluegrass pickers and rockers. The finished product is Tennessee Jed.”
“Tennessee” Jed Fisher: vocals, acoustic guitar
Frequent guests include:
Eric Chesson: guitar, mandolin
Al Al Ingram: bass
Charlie Chamberlain: mandolin, guitar
Matt Williams: fiddle, mandolin, steel guitar
Andy Thorn: banjo
Bobby Britt: fiddle
Frank Mapstone: keys
“Bongo” John Metcalf: drums
Acoustica, 2007

“The Last Call is a folk-rock ensemble that has been compared to The Avett Brothers, the Dropkick Murphys, Flogging Molly and The Band.
However, the nature of their songwriting is eclectic, mixing many different styles into one, unique genre. The Last Call is a four-piece band with one E.P., a Southeastern tour under their belt and a new album on the way.”
Jeff Markham: guitar, vocals
Justin Lee: banjo, guitar
Jonny Darko: drums
John “Pirahna” Hamrick: bass

“Create your own unique life path/ instead of wishing/ withering away/ in the planned/ bland/ virtual/ predictable/ slaved and caged politically correct/ group think path/ that leads you nowhere/ worth knowing. Know thyself.”
Joshua Chambers: vocals, guitar
Jessie Chambers: vocals, guitar

The Rhythm Brewers are an “alt-Americana & rhythmic groove band playing the mountains of Tennessee, North Carolina & Virginia. Think Grateful Dead meets Ralph Stanley meets Sonny Boy Williamson…”
Joe Martin: guitar, vocals
Marion Dunn: bass, vocals
Sarah-Jean Miller: fiddle
Jeff Dunn: drums, vocals

Throwing Sleep’s music “combines garage rock and grunge.”
Eliza Hill: drums
Nik Robinson: guitar, vocals

World-beat percussion fused to electronica in a unique fashion would be the best description for the solo act known as Thunderdrums. Frank Bloom has simply taken his broad vocabulary of drumset and percussion and given an “old trick” a new twist: Looping. The melding of organic instrumentation with electronic nuances has brought Frank to the crossroads of tribal, trance, house, drum-n-bass compositions, and he has shared his discoveries with audiences all over the Southeast.
Frank’s performance and work history prepared him for this current performance act as Thunderdrums. Founding member of the short lived but critically successful drum-n-bass/jazz trio, Satellite Union, planted the electronica seed in Frank. The band had risen to quick success by being named the best jamband in Charlotte, NC in 2004, as well as, being one of the inaugural winners of the Relix Magazine Jam-Off, beating out 300 other bands from the US and Canada for that title.
As the coordinator/arranger and one of the performers for the NBA’s performance drum team, the Rhythm Cats, Frank was performing in front of sold-out arena crowds and nationally televised games for two NBA and two WNBA seasons in Charlotte NC. He as also performed with regional and national musical artists and acts such as Domingo “Sunny” Ortiz (Widespread Panic), and Dr. Arvin Scott, Danielle Howle, Acoustic Syndicate, Barefoot Manner, Mike Orlando and Mason Bissett (Cast Iron Filter), Doug Jones (formerly of Cravin’ Melon), and The Carter Brothers. As a recurring member of the 2006 edition of the Everyone Orchestra, Frank shared stage space with such notables as Jimmy Herring (The Dead, Widespread Panic, ARU), Adrian Belew (King Crimson, Frank Zappa, Talking Heads), Darol Angor (Newgrass Revival), Jeff Sipe (ARU, Trey Anastasio Band, Phil Lesh and Friends), Jeff Coffin (Bela Fleck and the Flecktones, Mutet), and Vinnie Amico (MOE.).
Frank’s list of past instructors and mentors paints a broad spectrum of styles and sounds as well. He had masterclasses under John Molo (Bruce Hornsby, Phil Lesh and Friends, Fogerty), and Jim Donovan (Rusted Root). Frank studied under the watchful eye of percussionist/drummer Dr. Arvin Scott (Mose Allison, Widespread Panic recurring guest percussionist) while in Athens, GA in the early ‘90’s and currently is under the watchful eye of Jeff Sipe (ARU, Trey Anastasio Band, Leftover Salmon).
Frank Bloom: drumset, percussion, drum machines, sampler, efx pedals, synths ...

“Raised in the enchanting woods of Maine his musical sound is rooted in American folk. Timothy has paired up with visionary Colby Nathan in a project known as K(h)elp, while fronting center stage for New York City’s country act The Red Rogue. Timothy’s peephole into tribulation, travel and growth creates work ultimately individualistic in nature. He has recently moved to Asheville, N.C. to pursue his musical endeavors.”
Timothy Cushing: acoustic guitar, vocals, harmonica

Classically trained in vocal performance with and emphasis in opera, and “un-classically trained” in guitar, Bray cites his major musical influences as “Eric Clapton, SRV, James Taylor, B.B. King, Jimmy O, Ed Cash and anybody else that did something cool with a guitar.”
Todd Bray: vocals, guitar

“The Ticklers cook up a blend of swing, bebop, bossa nova, blues and latin-funk with a touch of fusion.”

“Tonali is a drum group that is inspired by West African drum styles, as well as an improvisation style.”
Billy Zanski: djembe, balafon, krin
Linda Go—Doundoun: vocals
Sunny Keach: djembe, doundoun, krin
Melissa Harrison: djembe, doundoun
Cara Gregory: djembe, sangban, krin

“The trio brings multiple voices to the music. Electronic, ethnic and world percussion peppers the solid beat via the Roland SPD drum brain triggers on a Mapex jazz kit. Multiple pedal effects create otherworldly tones not often emitted from the bass: from rhythmic to drone to atonal. Keyboards occasional compliment Tongues Of sound providing a sophisticated backdrop on which the music unfolds. Electronic tribal rock with a burlesque swagger.”
Elzy Lindsey: drums, electronic drums
Dave Baker: bass, keyboard
Christian Woodall: trumpet, keyboard

In their own words, Tony Wain and the Payne creates “true drunken country. No alt-country. Songs about women lost, whiskey found, bad decisions, regrets and the willingness to keep up a dangerous, unhealthy lifestyle for the sake of true country music. The band formed when Tony Wain gathered a couple of his personal drinking buddies and said ‘Ya’ll, I’ve got these here songs that I’d like to try and do somethin’ with.’ The Payne quickly responded “Hell yeah”. The band plans to play some shows soon and to make those said shows the drunkest, wildest shows this side of west Texas.”
Tony Wain: guitar, vocals
Storm Cloud: guitar, banjo, vocals
Bryce Canyon: percussion, vocals
... and a slew of rotating guests

Toubab Krewe was voted Asheville’s best rock band by readers of Mountain Xpress.
Teal Brown: drums
Drew Heller: guitar, soku
Justin Perkins: kamel ngoni, kora, and guitar
David Pransky: bass
Luke Quaranta: percussion
Toubab Krewe, 2005, Upstream Records

Born out of the all night jam sessions and fertile picking scene of Western North Carolina, Town Mountain has emerged as one of the premiere young American bluegrass bands in the region.
Robert Greer: vocals, guitar, and song writer
Jesse Langlais: banjo, song writer
Barrett Smith: bass, baritone vocals
Phil Barker: mandolin
Town Mountain

The Trainwreks combine many musical genres from classic country and Western swing to blues, punk, rock and roll and honky tonk to formulate their unique style dubbed by the band as “Dirtytonk.”
Micha Fishman: lead vocals, rhythm guitar
Ram Mandelkorn: vocals, electric guitar, mandolin
Lindsey Liden: bass
Jacob Bauman: drums, percussion
Matt “Steel” Smith: peddle steel, Dobro, lap steel, electric guitar
Anna Bowman-Smith: vocals, fiddle
Simon Goldberg: trumpet

The Treasury originally formed under the name Yesterday’s Tomorrow, a high-school age Beatles-tribute band. The group was successful, playing a number of regional festivals, and even touring in the U.K. In 2006, the members decided to change direction, writing and performing original songs under the name The Treasury. The group now tours the East coast, and has had their songs featured on satellite radio.
Clay Blair: lead vocals, guitar
Michael Kinnear: vocals, bass
Ryan Weidenfeld: drums
Marshall Owen: vocals, guitar

“In 2007, brothers Alberto and Jorge Espinosa followed a vision: to build a high-energy band that skillfully fuses their love for Latin, jazz, rock, reggae and soul into a musical sound bound to make your feet dance and heart smile. The result: An award-winning band and genuine sound that keeps getting hotter.”
Vocals and Guitar - Alberto Espinosa
Vocals - Janizel (Jani) Espinosa
Violin/Congas - Jorge Espinosa
Gabriel (Gabe) Brinton: lead guitar
Andrew (Andy) Kliendeinst: trombone
Alberto Carasquillo: trumphet
Petey Ramon: bass
Adrian Crutchfield: sax, flute
Ismael Gonzales: drums
Lucas Torres: congas, timbales

Turbine was named “Artists on the Verge” by Relix magazine and has shared bills with countless talented bands including Widespread Panic, The Black Crowes, Trey Anastasio, Bob Weir, Phil Lesh, and Derek Trucks. Recently Jim Laughlin from moe. sat in on percussion with Turbine.
Ryan Rightmire: harmonica & acoustic guitar, vocals
Jeremy Hilliard: electric guitar, vocals
Justin Kimmel: bass, vocals
Eric Johnson: drums
Don’t Mind if I Should, 2004
Reward, 2007

“Two Planes [creates] experimental, industrial and ambient [music]. We love to make noise and to be loud. We like to make music that doesn’t tell you how to feel and allows you to make that choice for yourself. We don’t have rules, we just have fun, and we invite you to do the same.”
Ian: drums, vocals, bass
Sam: guitar, vocals, keys

“Ty Nemecek is a talented guitar player and singer/songwriter who draws from elements of blues, Americana, bluegrass and roots music. He assembles these genres into unique and soulful finger-style blues. Ty has shared the stage with several recognized bands such as Now You See Them, Taylor Martin, members of High Windy, Paul Johnson and others. Ty plays many originals as well as cover songs.”
Ty Nemecek

“Punk, Punk, Punk. Thats all there is to it. Not pop-punk, not ska-punk, just punk. Our music is fun, usually fast and sometimes obscene. We play original songs about politics, life experiences, sexual preferences and drugs, (plus the occasional cover song).”
Josh Gordon: vocals
Greg Shuler: bass
John McCarley: guitar
Scott Dolbee: drums

Utah Green describes her music as “song singin, story telling, flying jumpin, backwoods groover.” She says her performances are “reminiscent of civil war-era folk style,” and her songs have been compared to “the efforts of the young Bob Dylan, Leonard Cohen and Donovan, with shades of Nick Drake.”
Utah Green: vocals, guitar, banjo, harmonica

VāN has developed a style they like to call “melodic grunge,” fusing a wide variety of influences.
Chris DeLaRioux: vocals
Jason Davis: lead guitar
Brandt Davis: rhythm guitar
Chris George: bass
Stephen Floyd: drums

According to the band, Velvet Truckstop “sits atop the nexus of blues, country and southern-fried rock ‘n’ roll.”
Jamie Dose: vocals, rhythm guitar
Dorsey Parker: lead guitar
Jerry McNeely: vocals, bass
Brad Curtioff: piano, organ, keys
Chris “Fuzzy” Coomes: drums

“V.J.P. has taken the roots of jazz and carried it into a new era of music. Their unique approach transcends the labeling of ‘genres.’ It needs to be heard, it needs to be experienced.”
Preston Cate: guitar
Sean Mason: drums
Pajama’s Thorstonson: bass
Justin Powell: keyboards

“The Vince Junior Trio combines harmonies, swampy funk, blues, solid song writing and warm tones to create a dancable, fun sound.”
Vince Junior - vocals, guitar, slide guitar
Craig Anderson - drums
Tommy Seijo - bass, vocals

From the Band: “Style is rock mixed with blues Final pieces fell into place around March of this year. We are steadly improving and ready to record our first CD at the end of August. We hope to be playing gigs soon and sharing our music with the world.”
Benji Reid: Vocals
Felix Black (Chris Morgan): Guitars
Seth Pate: Guitars
Stephen Bright: Bass
Dana Koone: Drums

“Old time/bluegrass with all you can eat improvisation.”
Bobby Miller: mandolin, vocals
Griff Martin: guitar, vocals
Stephan Custodi: upright bass, vocals

“Wayfarers All has been at the forefront of the Asheville music scene, rapidly building a strong following of jazz/fusion lovers. Their music is widely composed of complex compositions, a variety of effects and impressive musicianship. The name ‘Wayfarers All’ is based around an idea found in Kenneth Grahame’s Wind in the Willows: that life is a journey of exploration; that learning and experience is as important, if not more so than the destination itself.”
Tom Stanford: piano, mini-moog, synths
Dug Karq: drums, percussion, effects
Lee Stanford: violin, vocals, effects
Anthony Dorion: bass, vocals, effects

“I am a solo act and am currently performing at Sonny’s Bistro in the Holiday Inn on Tunnel Road. I am a jazz guitarist and vocalist. I play jazz, popular country and blues. I also play at the winery in the Biltmore Estate.”
Wendy Brown: guitar, vocals

“The Whappers will not apologize, compromise or relent. It is their duty to thoroughly reintroduce loud & original rock ‘n’ roll to the world. Their sound is often likened to the rock outfits of the ‘60s and ‘70s with just a touch of old-school country. These traditions combine to create an original sound, a face melting instrumental edge and an utter lack of pretension. The Whappers consists of members both currently and previously of The Greasy Beans, Jonathan Scales Fourchestra, The Merle, Uncle Mountain and Sidney Barnes and his Good Time Band.”
Josh Haddix: vocals, guitar
Will Chatham: drums, vocals
Jeremy Downing: bass
Mark Burin: guitar, vocals

“A high energy band performing music ranging from psychedelic-rock, to folk, garage and surf-influenced punk tunes. Where the Buffalo Roamed toured throughout the Southeast after recording their first full-length studio album in March 2009. Their new CD, “A Wolf In The Works” is set for release in early 2010 on their own homespun Afraid of the Bear music label.”
Corbie Hill: guitar, vocals, bass
Andy Meier: drums, chord Organ, vocals

“Whitewater Bluegrass Co. is a veteran group that has played all over for the past 27 years. Hard driving, fun loving bluegrass music. [The band] has opened for Sam Bush, Junior Brown, Ralph Stanley and many others. New CD to be released in Spring 2009.”
Steve Sutton: banjo
Gary Mackey: fiddle
Bill Byerly: guitar
Dave Pendley: mandolin
Ted White: bass

“Wiked Wood is currently working on their next album which is set to be released in early 2009 and distributed by Sony Music.”
Zac Graves: vocals
Rober Sawyer: rapper

“Will Baker has been writing and performing music since 1979 and has become a true independent artist. Baker has performed with several bands in the Carolinas throughout the years, and has written and recorded several CDs of original music.”
Will Baker: acoustic/electric guitar, mandolin, harmonica, vocals
Dan Chegas: conga, percussion

“Wilsin layers a variety of musical backgrounds to create a soulful sound. Damian LeMaster’s experience playing vintage and modern keyboards adds to Wilsin’s sonic innovative. Trevor Wolford is known for his ‘no limtations’ attitude, empowering Wilsin’s polyphonic sound. The rhythmic core of this band held together by percussionist/drummer Isaac Wells and founder and singer/songwriter Will Hartzog.”
Will Hartzog: vocals, guitar
Trevor Wolford: guitar, keys
Damian LeMaster: keys, bass
Isaac Wells: drums, percussion

“A dynamic rock and roll band whose style is rooted in early grunge with an alternative edge. Formed in the heat of an Oxford, Mississippi summer, WILX is not afraid to showcase their rock influences. One-hundred percent focused on their high-intensity shows and crafting rock tunes, WILX is a band ascendant.”
Hayden Smith: vocals, guitar, synth
Taylor Arnall: bass, synth, vocals
Wilkes Evans: drums

“Wooden Toothe has risen to the top of the pile of their energetic and creative counterparts. [They are] unpredictable, catchy & aggressive. The band has been described by Bold Life Magazine as a soundtrack to the city of Asheville itself blending, “country-style wistfulness with punk beats and simple, driving guitar riffs.” All of these elements combine for a live experience that will blow away all fans of original rock ‘n’ roll.”
Pierce Harmon: bass, vocals
Jeremy Odom: guitar, vocals
Jed Willis: guitar, vocals
Rett Murphy: drums

This Boone-based group call their music “New South Underground,” and claim it’s a diverse musical mixture of acoustic indie rock, electric southern rock, American roots music, and 80’s punk and 90’s pop rhythms.
Rob Brown: electric guitar, vocals
Rich Crepeau: bass guitar
Aaron Cummings: drums
Jimmy Davidson: vocals, acoustic guitar

Dan Tanamo: vocals, guitar
Blaze Danksta: guitar
Ige Malone: stand-up bass
Red Riguez: drums
Nate: hand percussion

According to their press materials, WSNB was selected by the editors of Billboard Magazine as one of the top independent bands in the Southeast. Given their thick, swampy blues sound, that’s not completely surprising. Perhaps the best way to explain the band’s sound is simply to let them do it: “Like a train coming through your front door, WSNB will make your hips shake, your feet move, and your big toe jump up in yo’ boot.”
Nate Brown: guitar
Jason Gardner: drums
Clay Ford: bass
Willie Shane Johnston: lead vocals, harmonica

“Yellar Dog is a rock, blues and alternative band that plays original songs. All the members have been friends for life, coming together to do what they love: play music. Each hailing from a rich background in music history, they strive to play music that will entertain a wide variety of fans.”
Donovan Norton: electric guitar, vocals
Brett Parker: electric guitar, vocals
Wayne Redmond: drums
John Hollifield: bass

“The band’s love for the music of the 50’s, 60’s, and 70’s has given them their name and their distinct sound. After developing several songs the band coined the term ‘Vintage Pop’ as the band’s official genre. The genre ‘Vintage Pop’ is a perfect reflection of where Yesterdays’ Brew gains much of its creative perspective. In addition to capturing the essence of the oldies so many love, the band also has a passion writing songs that are hopeful and encouraging. So, sit back, relax and have a cup of Yesterdays’ Brew!”
Micaiah Liner: vocals, guitar
Stefan Liner: vocals, drums
Ethan Liner: vocals, bass, guitar
Caleb Noland: guitar

Throughout their four years of touring, the Booty Band has met, played with, and befriended many great bands such as Cadillac Jones, Fat Ellis, Soular System, Barefoot Manner, Entropy, Hope Massive, and countless other great encounters in and around various festivals.
Josh Phillips: percussion, guitar, vocals
Grady Gilbert: guitar
John Paul Miller: guitar, bass, vocals
Al Al Ingram: bass, trombone, vocals
Greg Hollowell: saxophones, vocals
Ric Bennet: drums
Derrick Johnson: trombone
Now You Know

“Zach Blew plays guitar with a nimble, jazzy fluidity; he sings with the sultry ease of John Mayer (back when Mayer was earnestly “Waiting for the World to Change”). Online retailer CD Baby describes Blew as: ‘Patty Griffin and Amos Lee’s love child sprayed with Windex, for a streak-free clean.’ It’s an odd and yet apt tag-line. His first album, Tonight in this Motel, possesses an Americana thump and is pleasantly bluesy without ever treading into gritty or swampy territory.”
Zach Blew: lead vocals, acoustic guitar
Tom Leiner: lead guitar
Mike Shannon: bass
Peter Councell : percussion

“What do you get when you mix classic rock with Christian lyrics: Zoe Seed! Zoe is the Greek word for ‘life’ and the ‘seed’ is the word of God. The band has played everywhere from the Sourwood Festival in Black Mountain to Craggy Prison. Through music, they present the word of God to start or renew a spiritual journey with Jesus. The band will continue having fun and playing rock ‘n’ roll for the Lord.”
Carrie Holmes: lead vocals
Tom Temefonte: guitar, vocals
Roger Cordell: bass guitar
Chuck Cassada: guitar
Norm “Coz” Clinard: drums, mayhem

Charlie Wooton: bass and lead vocal
Jody Davies: guitar and vocals
John McKnight: drums and vocals
John Babich: keyboards, accodion and vocalswww.zydefunk.net;