John Crutchfield is a poet, playwright and performer based in Asheville. His plays Ivory, The Songs of Robert, Everything and God, and Twelve Treatises on Memory have been produced regionally, as have various shorter works. An avid collaborator, he has created and performed interdisciplinary work with X Factor Dance, Sans Pointe Dance, G. Alex and the Movement, Legacy Butoh, and Asheville Contemporary Dance Theatre. He has been Artist-In-Residence at the North Carolina Governor’s School, the Djerassi Artists Foundation, Headlands Center for the Arts, the Association d’Art de La Napoule (France), and the Pädagogische Hochschule Karlsruhe (Germany). He teaches part-time at Warren Wilson College and works as a literary translator. More info at: www.johncrutchfield.com
Steven Samuels has served as manager of, and occasional actor with, New York's Ridiculous Theatrical Company; senior editor of TCG Books and American Theatre magazine; artistic associate at Arena Stage in Washington, D.C.; instructor of theater history at New York University; and a judge on the Village Voice Obie committee. The recipient of a New York State Council on the Arts playwrighting fellowship, he edited Charles Ludlam's Complete Plays and Ridiculous Theatre: Scourge of Human Folly, and David Kaufman's award-winning biography of Ludlam, Ridiculous! He has taught creative writing at Warren Wilson College and in the Great Smokies Writing Program, and directed a new production of John Crutchfield's The Songs of Robert for performances in Asheville, Boone, and the New York International Fringe Festival. He is also the newly named artistic director of The Magnetic Field, a café, bar, and performance house scheduled to open in the River Arts District's Glen Rock Depot in spring 2010.
Asheville Community Theatre’s production of Enchanted April, a fanciful staging of a 1922 British novel, is well-executed and charming.
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